What music is your system setup for?


I am new here, so hello to everyone.
Did you set your system up for rock, jazz or classical from the get go?
Are your speakers far from the back wall, say 6 feet for a deep sound stage, some say nessesary for classical?
just off the wall, say 3 feet good for rock and some where in between for jazz, or does it matter?
Also what type of music did you purchase your equipment to listen to and is it a compromise when you listen to the other or does that not matter either?
Just thoughtI would ask.
Thanks for your input.
Leo
hevac1
I switch back and forth between a Bryston B60 & an Electrocompaniet ECI3 integrated. The Bryston is better for pop/electronic music with electronically produced high frequencies and clear sharp distinguishable sounds. The Electrocompaniet is better with Jazz and Acoustic Music...the bass & mids are better but the highs are slightly softened with an overall more musical character than the Bryston.

If one were to ask me which I prefer I would have to state that it really depends on the music I'm listening to.
Mostly marching bands which I record live off the halftime shows. Just got a doozy from the Sugar Bowl.
I Live in a small apartment with SET electronics & single driver speakers. I think my system sounds best with small acoustical works (jazz & chamber music mainly) but I listen to all genres. In short, I'm with Warrenh. It's a sacrifice I'm willing to make.
IMHO (ONLY)-
mid-fi systems are helpful in masking many rock (as well as many other) alblums' distortions and mixing errors. these distortions are, again, to my ears, EXTREMELY distracting on a high-resolution system.
example 1. Jefferson Airplane- Surrealistic Pillow (std. cheap pressing)- forget about it- on my VPI/Fancy Rig the sound is thin and noisy (aside from surface noise). i always loved to listen and relax to this record over the years- what happened? example 2.a reel-to reel tape of HAYDN'S london symphony (#104-my favorite) made from an "ok" pressing/thorens turntable- on a less resolving system this tape sounds fantastic, with a pleasant bump in the midbass, some scratchiness in the strings but a pleasant overall sonority non-the-less. same tape on my fancy rig- now the bass bump and the distortion become more artificial sounding and the treble sounds closed in, so i am now wanting to get an SACD version to listen to instead- the economy 2-cd Haydn set i bought for $12 is lacking realism as well.
i even have a JVC boombox which, i swear, will amaze alot of people when i put on hendrix, csn&y, airplane, etc. even cassette tapes sound fine. something happened years ago when a thorens or a dual turntable (garrard, bsr, whatever), a receiver, and a nice pair of acoustic suspension speakers, would sound utterly convincing on rock, pop, classical, virtually anything you could throw at it. but now, not that it's all bad of course, but high-resolution/high definition sound is available but complicated and expensive to acheive.
"okay" sound, whether it's due to the vintage nature of the source, or new compressed formats, are usually (much) better off experienced on a bose radio, a car stereo, or inexpensive headphones. i just get nostalgic when i remember how nice my records, all my records (except for the scratched ones) used to sound back in the 60's and 70's,
on good, affordable equipment. and all through little skinny cables thrown in for free...