Tracking Troubles--Upgrade or Setup?


Lately I've been bothered by what I think is poor tracking in my low-budget vinyl setup, and I'm concerned that I'm doing damage to my records. The problem is distortion at dynamic peaks. There was a thread on this a while ago, to which I contributed, because a lot of my used vinyl seems to be just plain worn and distorts at peaks because of (I presume) years of playing on somebody else's setup. My copy of Kenny Burrell's Midnight Blue is particularly bad, and it kills me!

What I've noticed lately is that I'm getting faint distortion on new records, again at the peaks, and particularly as the cartridge tracks closer to the center. Really, I think this problem has always been there but I've listened past it--blessing and a curse, I'm listening more closely now.

My setup is a Technics SL-D2 with a Shure M97xE into a Cambridge 540P. The Shure's known for tracking well, has a new stylus, and I have paid a lot of attention to setup (level, protractor, tracking force gauge, test record), but I'm also a relative vinyl newbie and have had to learn all of it on my own--possibly something's off, and I don't know it. I want to enjoy my records for a long time, particularly those I'm shelling out new-vinyl prices for. Should I: setup from scratch; look into a new table/arm (used Rega P3 or Technics 1200); look into a new cartridge? How big a factor is the table/arm in tracking? Thanks in advance for all help.
ablang
It could indeed be clipping. I've heard it with quite a few phono stages and I know Rushton has too.

Just as with a power amp or any amp, dynamic peaks cause phono stage problems if the power supplies can't provide enough instantaneous current to meet peak demand. What happens then is that the musical signal starts modulating the incoming power, which results in distorted waveforms until the music settles down and the power supplies can catch up again.

It gets worse on inner grooves because their shorter wavelengths are more difficult for a stylus to track cleanly and also because tracking angle error is increasing. The separate but very closely related waveforms that result can be difficult for a phono stage to keep separate and reproduce cleanly. Once it starts smearing slightly separate sounds into one, the sonics go into "fingernails on chalkboard" mode pretty quickly. ;-)

Here's a simple test for vinyl damage: "play" the suspect passage by rotating your platter BY HAND at very slow rpm, like 4-5rpm or so. The music should sound like a murky, LF growl. If there's any damage in the grooves it will usually sound like sharper, quicker clicks, much crisper and higher in frequency than the music. If you hear that and cleaning doesn't remove it, the LP's damaged.
Doug's helped me alot, and Doug usually has all the bases covered, but sometimes everybody cannot "guess" what the malady is?

I can only say to hold everything suspect. The Shure, while known to be a good bang for the dollar Cartridge could be at fault? Possibly you "might" think you're at the prescribed VTF-VTA settings but might be off?

I've read a few reports where the Shure was flawed, not made right, cockeyed Stylus, etc. These south of the border Cartridges might not be made with the same precision that Shure was known for many moons ago.

With a MM Cartridge, you should be probably looking at maximum 40db gain with the Cambridge. And of course,the default 47K ohms Loading.

As well, where is your analog system placed? Hopefully you're not blasting at wake the dead levels with the Turntable inches away from speakers. Isolation is paramount with ANY analog system. It certainly is no good having a $10K Turntable, admist a rotten base-stand, poor flooring, poor isolation.

I'd check everything, Go through all systematically, to nail down the fubar. Hope this helps. Mark
I've been waiting to follow-up here till I have some time later in the week to check things out in detail, so more leads are much appreciated. Isolation wise, the table's on a side wall well away from the speakers, resting on a DIY platform; listening levels are moderate and I hear the same thing on headphones, so it can't be room interaction. I am going to double check my cartridge setup, though--this is my second stylus on the Shure, and both have been crooked, so I've lined up the cantilever, not the cartridge body: doesn't build confidence, though! Doug, your low RPM test is a great one, and I'll definitely run that with some of the suspects. Any other input appreciated!

Andrew
Ablang -- Any updates? I experience the same thing at times, and I'd be very interested to hear how you resolve the problem.

-Dusty
I experience exactly the same thing, and have (by process of elimination) come tome the conclusion that occasional mistracking definitely occurs. Often, when I simply lift the arm and put it back it helps. I don't want to go any heavier if I can avoid it, and since this is very sporadic, I live with it with no harm to the LPs.

Thanks to Doug's advice this seems more clear. However I have a question for Doug: should I try a little more tracking weight? I have a Rega rb300 arm, admittedly not a high end arm, but gets the job done on my Linn LP12. Thus I prefer less weight/force if I can get away with it. What do you think?