Chime in.What's the Best Cassette Recorder ever ?


I just recently purchased a used Teac V-900X from a local
used Hi Fi shop and was amazed at the specs of the machine,But more amazed at the sound coming from this unit. I had my CD of Ray Sings Basie Swings and dubbed it onto my Teac cassette recorder with DBX fully engaged on the machine and levels kept at 0 DB or -4 on peaks with my Maxell New XLS Type 2 tape. All I could say was WOW, WOW.
The tape copy had lower noise then the CD and more dynamic punch. I used my old Mit 330 Cable as a dubbing cable from my Toshiba DVD SD 2705 to the Teac. I know thats not much of a front end for playback, But I do not have hardly any Cd's in my collection just tapes and reel to reel live recordings along with a huge collection of live Dat recordings as well .
I did some research on the net and came upon the specs of the Nakamichi 1000ZKL. The freq. response is better then the Teac, But the Teac is no slouch either.
The owners manual on the Teac V-900x state Freq. response 30 to 21k + or - 3 DB. Signal to noise 92 DB(dbx in at 1K,
dynamic range 110 DB DBX IN, 1KHZ PEAK LEVEL. I opened the lid to the machine and I noticed it only has one belt in it not the typical 8 or 9 belts seen in others. The machine has 3 motors 1 DC FG SERVO DD capstan motor,1 DC REEL MOTOR,1 mechanism control motor.Now all I need to do is snap up as many virgin Sealed Metal Tapes I can get my hands on and then have some real fun. I will be recording live on the Teac V 900x next week with a small symphonic community group and will report my findings to all of you on how it holds up to a live recording which I am sure will be a challenge to keep the meters at 0DB.
In the past I have heard the Nakamichi machines most all of them along with the Revox decks as well and I cannot recall the noise levels down as much as this machine can do along with the dynamic range as well.
Waiting for your comments
Don
128x12876doublebass
Dear Don: You already posted: Nakamichi 1000 and I add the 700ZXL.

The subject it is not only on the specs but the Nakamichi unique ( to these two models ) " Auto alibration computer function " where adjust ( in automatic way ): azymuth alignment, adjustment of bias, level/sensitivity and recoding equalization to achieve a " perfect " frequency response from 20hz to 20kh in ANY TAPE!!!!!

Additional both Nakamichi models have many other " unique " functions that along the Auto Calibration put IMHO these Nakamichi machines in a stand alone " league " between a cassette tape recoders out there including yours.

Regards and enjoy the music.
Raul.
I addition to the Nak 700 ZXL the Dragon and Baby Dragon (680ZX) are excellent. A sleeper is the Tandbeg A440.

Now if you really want to go out there try locating a really good DAT recorder/player. I've been listening to mine of late and the sound is quite good. Very quiet and dynamic, especially on some of the master concert recordings where I was able to compare masters I using both my Sony D-5 and Tascam DP-1 portable recorders.
In the past I have heard the Nakamichi machines most all of them along with the Revox decks as well and I cannot recall the noise levels down as much as this machine can do along with the dynamic range as well.
A big, big part of this is the dbx noise reduction system, which unfortuneately never really took off . . . it's main disadvantage is that dbx tapes are pretty much unlistenable without a dbx decoder, in contrast to Dolby B . . . making dbx unsuitable for pre-recorded tapes. The dbx system can also be prone to "pumping" artifacts when used on poor-performing machines. But when it's set up correctly . . . it kicks butt - similar dynamic range to a DAT machine, and virtually no noise floor to speak of.

My stereo system in my early teenage years included a Tandberg 3300X reel-to-reel, with an external dbx Type II noise-reduction system that I bought for $50 from the DAK catalog. I would take this rig over to a friend's house whose father owned a B&O Beogram 4000 with a MMC20CL cartridge. Most of my new record purchases were played their first time here, and recorded directly to tape . . . the results were pretty stunning. I still have many of these records . . . and they're definately nowhere near as quiet and dynamic as those tapes were.