Micro Max 282 vs. Exclusive EA-10

Dear Logenn: As Thuchan pointed out the best " solution " is goes from very up-front ( tonearm-cartridge connectors. ) down to the phono stage input ( no SUT Thuchan because there are, between other things, additional " joints ". ).

I already tested no less than 20 different tonearm wires ( internal wire. ) and there are several that IMHO are better performers ( neutral. ) than the Ikeda one that I tested too.

Two of them are the Audio Note ( UK. ) and this one:

file:///C:/Documents%20and%20Settings/Ra%C3%BAl/Mis%20documentos/silver%20wire.htm

That Dertonarm used in the last 20 years the Ikeda IMHO only menas that in that subject he does not grow-up/improve.

Crystal that you are using is very good too as is Nordost one.

Btw, as usually I'm not commercialy biased on this internal wire subject.

Regards and enjoy the music,
Raul.

Raul,
The 'link' you provided appears to be from your own hard drive.

Dear Raul,

I made an comparison between the Audio Note Silver litz and the Ikeda Silver in my SAEC WE 8000 by accident. The arm was rewired with Audio Note Silver wire and sounded very good. Nevertheless I had a contact problem with the DIN connector and being in repair the arm was completly rewired with Ikeda Silver litz. Raul you may not believe me - and maybe you did have another Ikeda litz at the time - but the Ikeda is still an improvement, warmer and even more brilliant.

best & fun only. - Thuchan

Dear T_bone, ...;^) .... what went unnoticed by Raul's sharp ears and eyes once again, is the fact that I listed a few good purely mechanical and physical arguments to go with the Ikeda silver litz (which I neither distribute nor make myself ...).
Big problem with the Ikeda silver litz is, that you don't get it cheap nor with considerable discount anywhere (if any fellow Audiogoner does know a cheap source ... I would be happy to learn).
In an inner tonearm wiring I look for the same as in every other component or part in the audio chain: - objective technical features and quality aside from all individual "sonic taste" or "liking in my set-up".
Real physical quality never gets out of date.
After all, a cable is a stranded wire.
The purity of it's metallurgy and the care in production are key to it's conductivity - at least to the last small percentage and with the lowest current or voltage (speaking of LOMCs ...). Pure silver has the highest standard AES conductivity - aside from supra conductors working with ultra low temp cooling.
Now add an insulation which is ultra flexible AND needs no strapping (which in most cases does some inevitable surface damage to the conductor) and you can hardly ask for more.
At least not regarding performance in the old school meaning of the term.
If however one need the tonearm wiring to "match", "blend" or "synergize" with the sound of a given "set-up", "cartridge/phono stage" or one's "idea" of how it "should sound" - then there are certainly many more options (about as many as audiophiles on this planet..) and a much wider selection in tonearm inner wiring.
Isn't audio great ?!
Cheers,
D.

'The best wire'. 'The best' is a way of speaking but imply or assume implicit the quantifier 'all'. Think of 'set-theoretic' paradoxes. Well the correct reading would be possible if the outhor adds 'from those inspected' or use
a numerical quantifier like Raul ( 20 ). We may assume that
Dertonarm inspected 'some wire' and concluded that Ikeda
is the best of them. Both of our dramitis personae can impossible claim to have inspected 'all wire' in the world.
So , it may look strange , but there is no contradiction here. Ie if the premises are not clear the deduction can
impossible be more clear. We already have had discussion
about 'the best cart' and 'the best tonearm'. In this way
of speaking everybody is entiteld to his own 'best'.

Regards,