Micro Max 282 vs. Exclusive EA-10


I have mounted an Exclusive EA-10 on my Micro (I added a pic to my system), one of the most expensive Japanese tonearms, maybe a little underrated. The tonearm and the tubes are re-wired by Ikeda silver wire. The EA-10 reminds me very much of the Max 282, most properly it was built by Micro Seiki. Does anybody know if this is true?
thuchan
Dear Nandric,
repetition is the mother of all forces. Telling you the third time that you are not my love baby should discourage you pleading all the time you still want to become my love baby. This is a bit like kindergarden but we are sometimes acting & reacting in this way - with our beloved toys in the play box.

I always feel sorry when Audigoners are too much driven by a strong belief making all friends catholics meaningly trying to convince them that there is only one direction to go...

best & fun only - Thuchan
Thuchan,
You obviously don't mean that! Three Hail Marys for you I think.
:^)
Dear Thuchan, 'some German' is some kind of descriptive function entailing one variable. But I meant by 'some' D and not T . Besides my remark about Rauls repetion reg. D is the opposite of your generalization. I see no force in
this kind of repetion. So I thought that Raul can use his
spare time in a better way.
The remarks about 'love baby' are above my comprehension.
Even T_bone seem to have some 'comprehension' trouble with your text. Some German humour intended?

Regards,
DT, Until today I had not read your reply to my post. You write, "the silver litz in the Ikeda is not isolated from each other". If by this you mean to say that the individual strands in the wire are not insulated from one another, then the Ikeda is not Litz wire at all. The definition of a Litz wire demands that each tiny strand is insulated from the others and the strands are wound in a particular way. Anyway, that is a side issue. I am about to try out the Audio Note silver Litz wire (true Litz wire) in one of my tonearms, if I can get it through the bearing house, as you remark. If not, I may run it outside the arm tube. But meantime, I am also enamored of the C37 cryo-treated silver wire that I ordered to be installed in my Reed tonearm. Of course, I am comparing it to nothing, using only one cartridge so far, and my opinion is completely subjective.

I liked your post of Apr 29 regarding the subjectivity and inherent lack of "science" in the matter of comparing any two items in an audio chain. I totally agree. The devices we use are born from science and thrown out to us to pay for and use as we will and then to write about in these gaseous fora.

I don't argue with your statement that you think copper loses detail compared to silver, but this does not at all prove your conclusion that this is happening because silver is "6%" better as a conductor. You are taking two separate "facts" and positing a cause-effect relationship that does not fit the known science of conductors, IMO. (But if I am wrong, I would greatly appreciate a reference to the relevant scientific literature that proves me wrong. This issue IS amenable to a scientific approach.) Like Thuchan says, all for fun.

While Raul sometimes likes to take the role of gadfly, and I can see that you two are at odds on many subjects, I think your ripostes could be a bit more to the point and a bit less ad hominem. Raul could do the same, perhaps. Because, like Thuchan says, it's all for fun.