Transfiguration:sonic balance/Axia shares Phoenix


Hello, Am getting ready to pursue another cartridge for my Bluenote/Encounter III combination.Former cart was the Allaerts Eco.Would the Transfiguration cartridges give me some or to the same degree of the non-mechanical traits that the former had?
I have read many positive reviews of the Phoenix.Does the Axia share these family traits and to what degree?
Please keep the discussion to the family of Transfiguration cartridges.
Thanks in advance to all those willing to venture their opinions.Tom
tpsonic
Still looking at cartridges in the $2-3K range.Any comments on the Benz copper/SLR or Ortofon Jubilee?Or other recommendations??
Hi,

I have been distributing Transfiguration in the US for about six years now and several years prior to that worked for Musical Surroundings when they were the importer, so I am very familiar with the sounds and quirks of every model, post AF-1, which I also heard a number of times, but never in my system.

Jonathan is correct in assuming that the Temper and Orpheus series cartridges do indeed have a tensioning wire. The single-magnet construction, where the coil sits inside the magnet requires quite a bit more (talented) labor in its construction, as the tolerances are extremely tight.

The Spirit, Phoenix, Aria, Axia series cartridges still maintain the advantages of the ring magnet construction, in that the coil still lies within the center of the magnetic field.

Sonically, there is a strong family resemblance between the Orpheus and Phoenix (and Axia for that matter, though with slightly less harmonic texture and complexity). I would say that in all areas of performance, with the exception of microdynamic finesse, which was always the greatest strength of the Temper series, the current Phoenix is equal to or better than the Tempers at just a little more than half of what they used to cost. It is more transparent, less resonant, more macro-dynamic than the W or V (and I LOVED those cartridges...time marches on...). It is thus, probably a greater performance value, at $2750 than the Orpheus L at $6000, even though the L brings things to the table that the Phoenix cannot possibly bring (or, why would there be an Orpheus...).

I will keep my comments just to comparisons within the Transfiguration line, in order to avoid "plugging" my cartridges over another line.

Give a choice, I would definitely take the latest generation Phoenix over any of the Temper series and can say that it sounds very much like the Orpheus in terms of timbral balance, musical presentation and temporal coherence/integrity. Unless you listen almost exclusively to classical music, where the microdynamic finesse of the Temper V might make for a slightly better connection to complex passages, I think you will find the Phoenix the more transparent, musically accurate and natural-sounding choice.

Thanks to Jonathan for his (once again) very accurate and articulate comments.
Without being technical.Just using my ears and heart.I must agree with Neil.I listened to the Phoenix but fell in love with the Temper V.
If I could afford a J A cartridge I would jump at the chance to own one. TP,why are you looking to change.
The one sold to me was a 5 year old cart.It failed about a year later (cantilever & coil-left).The rest is a long and painful story.Alas,I didn't want to spend 3K+ for an Eco.
Are the bodies worth anything?
I have heard the Transfiguration W, Phoenix and both the higher and lower output Orpheus, though none were directly compared in side-by-side trial. While I like all of the cartridges, I found the W to be on the "dark" side and less lively sounding than the others. The Phoenix was a quite a delight -- very lively and engaging. It may be less refined, poised and coherent than the Orpheus, but it is a really "fun" cartridge that does not get its nimble and lively sound by being thin in the upper bass/lower midrange (which also makes cartridges sound analytical and harmonically threadbare).

I am currently auditioning a low output Orpheus. It is taking quite a while to break in, but, it already sounds VERY good. There is quite a difference between the sound of the Orpheus and my now quite old Lyra Titan, the Titan sounding more explosively dynamic on very hard transients, but, I am not sure the harder impact is "natural." I like the slightly more elevated midrange and upper bass of the Orpheus (sound has more weight), but the upper extension of the Lyra is also quite appealing. In short, I like them both even though they are quite different. I think I'll keept both.

I have also heard the higher end Allaerte cartridges (not the Eco). These are very nice, warm, well composed sounding cartridges. In terms of basic tonal balance they are not far off from the Transfiguration line, so your consideration of the Transfiguration line makes sense.