It's trickle down, baby. The cost-no-object designs bought through high prices paid by rich early adopters pays for the R&D and proof of concept that results in advancements in the state of the art that benefit us all. Without $150,000 turntables, how would the maker know which are the most important design elements to be refined and cost-reduced for lower-priced models?
The results speak for themselves: I bought my first stereo in 1972 on sale for $419. Adjusted for inflation, that's $2125 for an Altec-Lansing compact with 44 wpc receiver, Garrard turntable built into the top, and garden variety small bookshelf speakers. Trust me, you can get much better today for the equivalent money, such as some PSB Image 6's, Cambridge or Marantz integrated amp, and Rega P3 or MMF 5.1 turntable with $200-300 Denon, Grado, or Audio Technica cartridge.
Ultra high end shows us what's possible, and from reading about and listening to such systems you come away with the essence of high end--an auditory virtual reality machine that transports you into a sublime performance complete with artist-to-listener rapport. While the ultra-expensive systems can get you that transcendental experience on the widest variety of music and ensembles, you don't have to spend anywhere near that to achieve a similar experience on most program material and a reasonable facsimile on the rest.
The results speak for themselves: I bought my first stereo in 1972 on sale for $419. Adjusted for inflation, that's $2125 for an Altec-Lansing compact with 44 wpc receiver, Garrard turntable built into the top, and garden variety small bookshelf speakers. Trust me, you can get much better today for the equivalent money, such as some PSB Image 6's, Cambridge or Marantz integrated amp, and Rega P3 or MMF 5.1 turntable with $200-300 Denon, Grado, or Audio Technica cartridge.
Ultra high end shows us what's possible, and from reading about and listening to such systems you come away with the essence of high end--an auditory virtual reality machine that transports you into a sublime performance complete with artist-to-listener rapport. While the ultra-expensive systems can get you that transcendental experience on the widest variety of music and ensembles, you don't have to spend anywhere near that to achieve a similar experience on most program material and a reasonable facsimile on the rest.