I was once given some good advice early on.. if done right, $5K will take you 98% of the way there, and you can then spent another 100K on that last two percent.
Absolutely go analog. Cover your basics with a reworked vintage tube amp. Get a quality TT with a decent cartridge.
Buy high efficiency speakers, and remember that there is no substitute for a bit of size. Passive woofers will always give you better detail on the lower frequencies.
Use common sense.
Buy a sub with a 15 inch cone. Most bass players used 15 inch cones in their amps. Play back through what they used.
Horns sound better played back through horns such as Klipsch.
Make your own wires with thick 10 gauge stock wire you get at the hardware store. Forget fancy nonsense, power conditioners and other silliness.
Then just focus on your vinyl collection. Enjoy the hobby of finding good slabs of vinyl and focus on playing good quality recordings. Learn about the best pressings and remember that 180 gram new remake releases on vinyl are a total scam. Original pressings almost always sound better.
Anything remastered digitally in pro tools is going to just sound like a CD pressed on vinyl. Don't fall for this nonsense. Buy a $20 clamp and kiss 180 gram away.
The sound engineer on the album is everything. Train your ears to understand that compression kills.
It's about finding your favorite artists. Second about how they performed, third about how that album was recorded. 4rth about the pressing, 5th about the condition of that particular piece of vinyl.
Spend your time in the vinyl shops, not the audiophile gear shops.
Absolutely go analog. Cover your basics with a reworked vintage tube amp. Get a quality TT with a decent cartridge.
Buy high efficiency speakers, and remember that there is no substitute for a bit of size. Passive woofers will always give you better detail on the lower frequencies.
Use common sense.
Buy a sub with a 15 inch cone. Most bass players used 15 inch cones in their amps. Play back through what they used.
Horns sound better played back through horns such as Klipsch.
Make your own wires with thick 10 gauge stock wire you get at the hardware store. Forget fancy nonsense, power conditioners and other silliness.
Then just focus on your vinyl collection. Enjoy the hobby of finding good slabs of vinyl and focus on playing good quality recordings. Learn about the best pressings and remember that 180 gram new remake releases on vinyl are a total scam. Original pressings almost always sound better.
Anything remastered digitally in pro tools is going to just sound like a CD pressed on vinyl. Don't fall for this nonsense. Buy a $20 clamp and kiss 180 gram away.
The sound engineer on the album is everything. Train your ears to understand that compression kills.
It's about finding your favorite artists. Second about how they performed, third about how that album was recorded. 4rth about the pressing, 5th about the condition of that particular piece of vinyl.
Spend your time in the vinyl shops, not the audiophile gear shops.