And yes, I'm listening to the same album on both vinyl and digital. I'm not comparing two different ones, lol.
Why does Computers - Amp - Speakers sound better?
I have a budget system. Denon turntable, Shure cartridge, NAD integrated amp, and Wharfedale speakers. For some reason, computer -> amp -> speakers sounds SO MUCH BETTER than turntable/cartridge -> amp -> speakers, even when the source file on the computer is 256 kbps mp3.
I don't know why this is. It would make sense if my amp and speakers were leagues above my turntable or if the source file was in 320 or FLAC, but that's not the case. 256 kbps should not sound better than high quality vinyl of music from the past five years (i.e. not mastered from bad tapes).
Is my turntable or my cartridge (or both) inferior to my other equipment? Also, I'm using Monoprice cables for my computer ---> amp and off-brand cables for turntable ---> amp. Could that be why?
thank you. The reason why this bothers me is because I spent over 1000$ on my vinyl (not just for the better sound, but because I'm deeply involved with the new-wave punk scene) and $400 on my turntable/cartridge and it bothers me that a low-quality file produces better sound.
I don't know why this is. It would make sense if my amp and speakers were leagues above my turntable or if the source file was in 320 or FLAC, but that's not the case. 256 kbps should not sound better than high quality vinyl of music from the past five years (i.e. not mastered from bad tapes).
Is my turntable or my cartridge (or both) inferior to my other equipment? Also, I'm using Monoprice cables for my computer ---> amp and off-brand cables for turntable ---> amp. Could that be why?
thank you. The reason why this bothers me is because I spent over 1000$ on my vinyl (not just for the better sound, but because I'm deeply involved with the new-wave punk scene) and $400 on my turntable/cartridge and it bothers me that a low-quality file produces better sound.
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Took a quick look at the owner reviews on Amazon and noticed, as I suspected, that most are bypassing the built in Preamp and using a external phono amp of better quality. While I don't believe you have to spend $$$$$ to get good sound, it is asking a lot of a turntable/Preamp combo at that price to be better than digital. I listened only to cheap turntable's and whatever phono was in the receiver until I was around 30 years old, and when CD's came out they sounded better than what I had been listening to, so I changed to CD's. Twenty years latter,after purchasing a good preamp, one with a good MM phono stage, I purchased my next turntable and am really enjoying my 1000 lp's I had stored all that time. A while ago I set up my old cheap Rotel turntable into my mid 90's Onko receiver and guess what? It was horrible . The phono stage is very important, and cannot be overlooked! Everything is important! I would read the many thread's on good budget phono amps, and save my penny's until I could afford it, or purchase a good old Preamp or receiver which is known to have a good phono stage in it. Sorry for the long post. Good luck Danny |
I'm still curious to hear how you are getting your 256k files to your speakers. Your NAD doesn't have an internal DAC, does it? That means you must be using an external DAC. Are you using Mac or PC? Optical or USB? Do you use a USB/SPDIF converter? You've detailed out what gear you have on the vinyl-based side, it would help to hear what you're using on the digital side. Just to get the full big picture, thanks. |
09-08-12: ToxicwaterfrontI second your suspicion and ACMan's comment that the quality of the built-in phono stage is likely to be a major contributor to the problem. Also, re item 2(g) in my earlier post, many Shure cartridges (what model do you have?) require load capacitances in the vicinity of 450 pf, which is far higher than the recommended load capacitance for many or most other moving magnet cartridges, and is therefore likely to be much higher than the non-adjustable load capacitance that is actually provided by the turntable's built-in phono stage. That would probably result in a large frequency response suckout somewhere in the treble region, which would contribute to a lack of clarity and detailing (such as you appear to be describing). Using a properly chosen external phono stage should allow you to achieve a proper match, in conjunction with the added capacitance of the interconnect cable. Finally, I repeat my earlier question about whether or not the geometric and mechanical setup of the cartridge has been done correctly. Any or all of the adjustments I mentioned, if sufficiently misadjusted, could turn a potentially satisfactory turntable/tonearm/cartridge combination into an unsatisfactory one. And one specific issue I see is that the manual for the Dp-300F, which I suspect is the same or similar to the model that you have, indicates on page 3 (pdf page 6) to set the anti-skating knob to the same value as the tracking force, which I had cautioned against doing in my earlier post. Try 60% of that value, and fine tune from there by ear, and also by checking that the stylus/cantilever assembly on the cartridge does not deflect significantly to the left or the right (as viewed from the front of the cartridge) when the stylus is in the groove of a QUIET passage on a ROTATING record, compared to its position when it is lifted off of the record. I suspect that if you perform that visual check now, when viewing the cartridge head-on (from the front) you will see the cantilever deflect significantly to one side when it is lowered into the groove of a rotating record. Regards, -- Al |
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