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Is Coincident Statement Phono pre-amp an overkill

Is it an overkill for my Clearaudio Concept TT and Concept MM cartridge.

I am a new to Analog but clearly its going to be my #1 source of listening pleasure I know already.

Should I start the safe route of picking up an EAR 834P and then going up the chain.

What are your views on this phono stage in general is it worth the money, I have a chance to get one at 25% off retail, which for this phono as I understand never happens, have not seen this phono in Audiogon ever in the last 6 months of looking everyday.
essrand
lewm
13,019 posts
 
Sorry for being pedantic, but "passive" and "no gain" can mean two different things. But it's probably truly passive, just a volume control, which means one must take care about matching impedances.
charles1dad's avatar
charles1dad
10,250 posts
 
Lewm,
Good point generally speaking, but there shouldn't be an impedance matching problem with the Coincident Dragon MK II amplifier. This sibling combo is likely an exceptional sound.
Charles,
lewm
13,019 posts
 
Sorry, Charles. I was not thinking about the match between the phono stage and the amplifier. I was thinking about the impedance match between an outboard high level source, such as a CDP, and the volume control. With a minimum of thought and information about the input impedance of the control, there probably would not be a problem, however.
jcharvet
46 posts
 
Thank you for clarifying. It further justifies that there is no need for me connect a digital source to the Statement Phono in my setup. If you are still considering this, most CD players without volume control have enough gain to start with, but it will be better to check that also :)
lewm
13,019 posts
 
Most CDPs without a volume control will need some form of external attenuation, be it the passive control on something like the Statement or a stand-alone passive attenuator, or an active control on a conventional linestage.
They typically output 2V of signal. 0.5 to 1V is enough to drive most amplifiers to full output.
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