Solid core phono interconnect - Recommend Please

Pani, before you commit, a final suggestion.
My solution to the capacitance issue was to disregard the standard 1 metre lengths of low-C cable and get a custom made 0.5m cable. I called upon the services of Johnny7 at Audio Origami to make it.
(I still make plenty of cables myself but I wanted this job done properly ;^)

Didn't cost anywhere near your budget i.e. £99 and it works superbly.
You'll likely be aware of this already but J7 has plenty of experience with tonearms (he designed the "Syrinx" PU7 etc)

No relation to JohnnyB53 BTW :D
As an aside, did you own a Raven TT previously? How do you find the Verdier by comparison?
All the best,

Additional thought : one of my longstanding bugbears concerns the mechanical contribution of the phono cable.
Linn LP12 is a good example in that the "dressing" & clamping of the (fairly stiff) arm cable was arguably the most important aspect of setting up the suspension?

This idea has haunted me throughout system changes down through the years. I was concerned that going down to a shorter cable would increase the mechanical stiffness and allow more efficient transmission of 50/60Hz vibration from phono stage Mains transformer etc.
Some of the sound properties on your wish list can actually stem from mechanical properties of the phono cable i.e. sound can transition from dull & lifeless to lifelike, airy and natural simply because the cable wasn't mechanically decoupled enough and acting as a vibration conduit?
This is one reason I would avoid super-thick low-C cables for this job (besides, there's only so much that can be shoe-horned into a standard tonearm din plug.)

Early NAIM amps which used extruded Alum casework tended to ring like the proverbial bell and this mechanical characteristic was propagated very effectively into the tonearm so experimentation with mechanical "tuning" before resorting to cables with different electrical characteristics is recommended. (Mech tuning is free but fancy cables are not). What was particularly disturbing was the discovery that the next level IC - the phono stage to power amp - was also critical for mechanical decoupling. :(

Regarding screened cables I'm with Al - play safe and go for the shielded cable. Your biggest concern in this regard will be EMI/RFI from neighbouring gadgets.
Cheers,

I've been using Herron Audio interconnects with very good results. Fluid and transparent. No filtering. No peakiness like with silver. No bloated sound. Just very smooth and detailed. Just the music.

I can't say if they are prone to RF or other noise, but I do use them between the turntable and phono pre to carry the signal from a low output mc cart.

I think they would fit your budget comfortably with some $$ to spare.

Thanks guys, I will check out with Audio Origami and Herron. In fact I think it may not be a bad idea to get a cable made out of Cardas tonearm cable which is one of the upgrades suggested for Rega tonearms.

Moonglum, I have never owned a TW but have heard on many occasions. It is nice but not as natural and fluid as a Verdier.

Make your own. Buy 4 of those Eichmann Bullet Plugs , 1m
(double)silver wire and solder the (RCA) connectors. My
aunt Natalija can do this job so why not you?