Additional thought : one of my longstanding bugbears concerns the mechanical contribution of the phono cable.
Linn LP12 is a good example in that the "dressing" & clamping of the (fairly stiff) arm cable was arguably the most important aspect of setting up the suspension?
This idea has haunted me throughout system changes down through the years. I was concerned that going down to a shorter cable would increase the mechanical stiffness and allow more efficient transmission of 50/60Hz vibration from phono stage Mains transformer etc.
Some of the sound properties on your wish list can actually stem from mechanical properties of the phono cable i.e. sound can transition from dull & lifeless to lifelike, airy and natural simply because the cable wasn't mechanically decoupled enough and acting as a vibration conduit?
This is one reason I would avoid super-thick low-C cables for this job (besides, there's only so much that can be shoe-horned into a standard tonearm din plug.)
Early NAIM amps which used extruded Alum casework tended to ring like the proverbial bell and this mechanical characteristic was propagated very effectively into the tonearm so experimentation with mechanical "tuning" before resorting to cables with different electrical characteristics is recommended. (Mech tuning is free but fancy cables are not). What was particularly disturbing was the discovery that the next level IC - the phono stage to power amp - was also critical for mechanical decoupling. :(
Regarding screened cables I'm with Al - play safe and go for the shielded cable. Your biggest concern in this regard will be EMI/RFI from neighbouring gadgets.
Cheers,
Linn LP12 is a good example in that the "dressing" & clamping of the (fairly stiff) arm cable was arguably the most important aspect of setting up the suspension?
This idea has haunted me throughout system changes down through the years. I was concerned that going down to a shorter cable would increase the mechanical stiffness and allow more efficient transmission of 50/60Hz vibration from phono stage Mains transformer etc.
Some of the sound properties on your wish list can actually stem from mechanical properties of the phono cable i.e. sound can transition from dull & lifeless to lifelike, airy and natural simply because the cable wasn't mechanically decoupled enough and acting as a vibration conduit?
This is one reason I would avoid super-thick low-C cables for this job (besides, there's only so much that can be shoe-horned into a standard tonearm din plug.)
Early NAIM amps which used extruded Alum casework tended to ring like the proverbial bell and this mechanical characteristic was propagated very effectively into the tonearm so experimentation with mechanical "tuning" before resorting to cables with different electrical characteristics is recommended. (Mech tuning is free but fancy cables are not). What was particularly disturbing was the discovery that the next level IC - the phono stage to power amp - was also critical for mechanical decoupling. :(
Regarding screened cables I'm with Al - play safe and go for the shielded cable. Your biggest concern in this regard will be EMI/RFI from neighbouring gadgets.
Cheers,