I wonder what the wide variance in soundstaging charcteristics of most cables says about how they effect the increase/decrease in various parts of the frequency spectra. Given that we all continue to use the same electronics and speakers, what else could be going on but that?
In my own case, switching from silver-coated copper (DHLabs) to pure copper (Coincident) yielded a warmer sound with a slightly wider soundstage: clearly, more low freq's. Also a marked forward movement of the image: more mid-range or perhaps recessed treble? Double Helix raises, broadens and deepens the image while describing an arc which is somewhat forward between the speakers and curves back behind them towards the wall: I have no idea what is going on with the frequencies here! If the OTA is so forward as to mimic headphones, or "fill the room with sound" as Dekay has written, there must be some drastic frequency related effect on reflected sound.
I wonder why I've never read about using one of those zillion dollar spectrum analyzers to record these differences? Is anyone aware of it? Do cable manufacturers play with tonal shifts to achieve certain imaging/tonality? Or is it all serendipitous, "that sounds good, let's produce it?"
In my own case, switching from silver-coated copper (DHLabs) to pure copper (Coincident) yielded a warmer sound with a slightly wider soundstage: clearly, more low freq's. Also a marked forward movement of the image: more mid-range or perhaps recessed treble? Double Helix raises, broadens and deepens the image while describing an arc which is somewhat forward between the speakers and curves back behind them towards the wall: I have no idea what is going on with the frequencies here! If the OTA is so forward as to mimic headphones, or "fill the room with sound" as Dekay has written, there must be some drastic frequency related effect on reflected sound.
I wonder why I've never read about using one of those zillion dollar spectrum analyzers to record these differences? Is anyone aware of it? Do cable manufacturers play with tonal shifts to achieve certain imaging/tonality? Or is it all serendipitous, "that sounds good, let's produce it?"