I just got back from CES and this is my first opportunity to respond to this thread.
First I should address the original question of the platter not being 100% true.. a very slight rise. I saw that comment
on audioasylum and plan to contact the poster about it. If it is a problem all depends on what he means by "very slight rise". If he is talking about a few thousandths then it is not a concern. If the deviation is much larger than that then there could be a problem with either the platter or how the platter is seated on the bearing, the latter being more likely.
Lugnut posted a number of concerns about the 265 that he has been setting up for a friend. There are a number of issues that perhaps I should address separately.
1) Armboard height - The delivered armboard is the correct height (1.6", 42mm) and was drilled correctly. I verified all of the pertinent dimensions with Mark Baker of Origin Live at CES. However, the arm (OL Illustrious) evidently does not fit. I will suggest the the buyer send the arm and armboard to me to sort out the problem.
2) The armboard bolt was too short - Lugnut is right about this one. We increased the height of the base and I mistakenly shipped a few tables with the wrong bolt. Yup, a QC problem but easily corrected.
3) The armboard and base surfaces are not completely flat -
Yes, Lugnut is correct. The wood surfaces on the base and armboard are not perfectly flat. There are a couple of reasons for this as some other posters have noted. These pieces are hand made with wood working equipment. They are
quite flat and true but do not have the degree of precision that you would get from a machine shop. We could machine these parts on CNC machines at considerably greater cost but because thy are constructed from wood they would
develop the minor irregularities that Lugnut noted. I have the utmost confidence that the current techniques we are using result in more than adequate precision to provide both proper alignment and good sound. If you want a table with perfectly flat surfaces then one constructed from aluminum or acrylic is the way to go. If one the other hand you are interested in good sound wood is a real winner. Contrary to what is being implied, I do not believe that this is a QC problem. However, I intend to take the information and look ways to make improvements. But don't look for us adding significant cost to Teres turntables in the quest for precision that does not yield a sonic benefit.
4) The platter surface is cupped 1/8" - Sorry but this is simply not true. Whatever degree of imprecision that may exist in that platter it would be impossible to have that much error without major cracks and splitting. While high precision is not justified for the base and armboard that is not the case for the platter. We go to great lengths to stabilize the wood in the platter and they are machined on CNC machines to close tolerances. I have one of the oldest wood platters in existence and it remains very flat and true. It is true that even with the best efforts wood will not be perfectly stable. It is inevitable the there will be very small deviations. However, this once again needs to be kept in proper perspective. Minor deviations are only important if they have an audible impact. The prototype wood platter that we threw together with no stabilization effort after a time became grossly out of round (about 3/32" radially). However, even in it's flawed state it still sounded dramaticly better than very precise acrylic.
Chris
