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SPEAKERS FOR MY NEW LISTENING ROOM

My listening room is 27x19.5 with a cathedrial ceiling to a 16 foot height. The peak runs perpendicular to the 27 foot wall . I will be using my marantz 2500 ( 250 w.p.c. at 8 ohms 330 w.p.c. at 4 ohms ). I like some oldies , classical, jazz, and occasionally some loud house shaking rock and roll . Price range 2000-4000 dollars . Prefer tight, well defined bass , with the ability to hear the difference between the bass drum and the bass guitar and not having to worry about frying a driver or if I do, having the availability of purchasing a replacement driver without taking out a second mortage . There is a possibility of installing a wood tongue and groove ceiling in the near future. OK you Gurus start your engines . Thanks a bunch !FBI.
fbi
eldragon
707 posts
 
I am sure you'll like Dynaudio 3.0!
3141510
29 posts
 
Agreed.Dynaudio is a very good choice,but consider VMPS FF3 as well.
carl_eber
1,425 posts
 
Buy acoustic treatments first, if you want to hear what's on the recording.
fbi OP
92 posts
 
CARL, HOW DOES ONE DECIDE UPON ACOUSTIC TREATMENTS ? DO I NEED AN AUDIO SWEEP GENERATOR AND A SOUND PRESSURE LEVEL METER TO TEST VARIOUS PLACES IN MY ROOM FOR HOT SPOTS? ELDRAGON AND 3141510 , I WILL GIVE THESE SELECTIONS CAREFUL CONSIERATION ,THANK YOU . ANY ONE ELSE ?
carl_eber
1,425 posts
 
All you need to do is damp first reflection points on every wall, and preferably use full round traps at least in the room's corners behind each speaker (16 inch or larger diameter). Do this, and you're done. You can tweak the imaging and response smoothness by turning the diffraction sides of the traps to either face toward the wall, or away from the wall (besides adjusting listening seat and speaker position). The only reason to use mics and analyzers is if you have a lot of different "critical" audio listeners coming through often to listen to your system. They would obviously want to know how well your system/room measures. You'd want to be able to show them on paper, so they wouldn't try to move stuff every time they came by to "improve the imaging/tonality".
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