Martin Logan's Prodigy


I recently auditioned the new Prodigy by Martin Logan. Despite reading 4-5 different reviews on this speaker that reported an impressive bass section with the two 10-inch woofers, I found the low end to be somewhat muddy and unimpressive. However, the demos were done with amps no more than 200 watts into 4 ohm.

The reviews indicate a relatively long break-in period which, as Stereophile reported, greatly improved bass response over several months of use.

I am also thinking of teaming the Prodigy's with a Velo HGS-15 to improve bass response.

Does anyone have any experience with the speaker that they will share? Did you see a great improvement in the low-end over time and what amp are you using? thanks in advance for your input.
128x128gerryn
Howdy, Jim, I am still looking forward to hearing your CLS/SW800 setup some day...On to topic: Prodigy bass. I heard Prodigy's at my dealer and the most striking thing about the panel/bass integration was that it was familiar. Familiar in that I recognized the sound from my own listening room. I went through the same type of break-in with my SL3s. Prior to being fully broken-in, the bass went from anemic to boomy. Compounding this change, I was dancing the speakers around on a seemingly endless positioning hunt. A nudge here and a scoot there and--yikes! I'm going from major suckout to mammoth reinforcement!

Anywho, when the bass drivers finally wore in, I found the bass response less placement sensitive. I can still get a boomy-boom-boom if I want it (don't), or a light tap-tap (don't want that either) just by moving them a few inches. But, when positioned correctly, the bass to panel transition does not draw attention to itself. Certainly it is not as seemless as a single driver, but, what is?!

For the record, I have heard from "them" that the panel requires virtually no break in. The driver has a certain tension that relaxes so gradually that the change is not anything like the change noted for dynamic drivers. The electronics driving the panel, well that may be a different story.

That said, I'm going back to listen to the Prodigy's at the dealer--it's been a couple of weeks...hmmm...
i also have prodigy,i m at around 200hrs.still very boomy and no detail bass and very bright highs but i got the same problem with amatis ,i spended around 500hrs to get right sound from them.be patient.
Hey, Doug. You are so right about speaker positioning when it comes to all ML's. I don't know whether having the bass driver attached to the panel is more or less difficult than a separate sub-woofer. I guess both are a speaker tweaker's delight (or nightmare). This is just part of the admission price with this entire family of speakers. I'm *still* playing with my set-up -- fractions of inches now make a difference. CLS's are renowned for their potential to take months of experimentaion with placement to get it right. Then tweak some more. The next steps are room treatments.

I have to admit that I do not believe I've ever heard any of the hybrids set up in an ideal environment. Only at dealers and it was evident that placment lacked the same detailed attention to placement as we do at home. The break-in issue is also very legit. Going through that myself with the paper drivers on my subs which, while a few years old, were virtually unused. At times there is a bit of an act of faith involved in this, given less than perfect listening environments and lack of break-in.

If you are ever in Los Angeles let me know and we can try to schedule a listen to my work in progress. Best, Jim.
I love logans, always have probably always will, but there has to something said about hearing them demo'd, Let me share my experience. I too have heard the prodigys and was not impressed. But let me say I believe and know it was the dealer setup. I first listened to the new odyssey in one room mated to a classe amp and arc preamp amp and cd player, beautiful sound, (hardly any dampening/reflecting material in the room)Then I went into the Big Room where the prodigy's were. Prodiys were mated to a complete Mark L. setup amp/pre/cd. Wow was I expecting some magic to happen. Boy did I get a let down. The sound was off, no imageing, bass was good but no umph, midrange was crystal clear but just there. All I could remember was my girlfriend saying " should speaker that cost 10,000.00 sound this bad compared to the 6,000.00 model". This is what is was,there was soo much room dampening material, on the rear walls, side walls, front walls with sound blocking this, sound absorbing that, tube trap here and there, that it really killed the sound that helps logans be logans. From what I could tell there was nothng reflecting from the rear of the panel to help great that great ambience that logans creat so well. You didn't get that wall of engulfing sweet music you have learned to expect from the logan name. With only a few songs under my belt, I thanked the sales man and left. I went home, fire up the system and listened to my logans with the sound that I have come to love from them. What I have found in the audfio world more than anything when is comes to that demo is, just like computers if something is wrong, look at the user not the equipment first. Just my 2 cents ...Dave
I agree with Dave. When I auditioned my pair of prodigy speakers in the show room which was 100% dampened. The sound was a let down. I begain to think I would stay with my martin logan Sequels of nine years. Than I took a chance and bought the pair, took them home and wow. A regular living room, sheetrock, furniture, carpet, rock fireplace and windows the sound was alive and the sweet sounds filled our room. Sometimes you just mustgo with your instincts.