Can anyone answer this question: Why I was the only one who brought a 'mundane' recording to the Frank Van Alstine Show at the Chicago Audio Society meeting? Everybody else played 'audiophile grade' recordings...
The music was from "Lo mato si no compra este disco." (I kill him if you don't buy this record.) Album by Willie Colon/Hector Lavoe--Caribbean gangsta music from the 70's. I happened to play an instrumental fusion piece that Van Alstine stopped after about two minutes! This recording, nonetheless, is my reference recording to test system performance. Lots of trombones, fast percussion, bass and a world class singer. I used it recently to test and set up some Bob Regal feet Deano sent me to try on my 'new' Melos SHA-3 preamp. I described the improvements to him and emailed me that I was hearing right. That I had entered 'Audio Nirvana'. So much for a non audiophile recording of gangsta music.
Aguirre, you're right on the money. I've always said that most music in all genres is crap. That one needs to weed out this crap to get to the real good stuff; preferably to find a guide to point out what to buy.
In conclusion, I think being an audiophile gets a bad rap because it is associated with certain attitudes, behaviors and types of people. Just recently I went to an 'upscale' high end store in downtown Chicago to buy a piece. What a bunch of snobs! Did they think they were impressing me? I just wanted to get out of there fast! I heard comments like: "To get a good preamp you have to spend at least five thousand dollars." Is this going to attract people to audio? Hey, they want you to quit before you even start...or at least humilliate you before you move on. Like forcing me to demo the piece I wanted with some Tchaikovsky. Hey, I've sold audio at two stores: you ALWAYS ask the customer what he/she wants to hear. What was the point of this geek trying to force me to hear Tchaikovsky? Educate me, perhaps? What a shame...
The music was from "Lo mato si no compra este disco." (I kill him if you don't buy this record.) Album by Willie Colon/Hector Lavoe--Caribbean gangsta music from the 70's. I happened to play an instrumental fusion piece that Van Alstine stopped after about two minutes! This recording, nonetheless, is my reference recording to test system performance. Lots of trombones, fast percussion, bass and a world class singer. I used it recently to test and set up some Bob Regal feet Deano sent me to try on my 'new' Melos SHA-3 preamp. I described the improvements to him and emailed me that I was hearing right. That I had entered 'Audio Nirvana'. So much for a non audiophile recording of gangsta music.
Aguirre, you're right on the money. I've always said that most music in all genres is crap. That one needs to weed out this crap to get to the real good stuff; preferably to find a guide to point out what to buy.
In conclusion, I think being an audiophile gets a bad rap because it is associated with certain attitudes, behaviors and types of people. Just recently I went to an 'upscale' high end store in downtown Chicago to buy a piece. What a bunch of snobs! Did they think they were impressing me? I just wanted to get out of there fast! I heard comments like: "To get a good preamp you have to spend at least five thousand dollars." Is this going to attract people to audio? Hey, they want you to quit before you even start...or at least humilliate you before you move on. Like forcing me to demo the piece I wanted with some Tchaikovsky. Hey, I've sold audio at two stores: you ALWAYS ask the customer what he/she wants to hear. What was the point of this geek trying to force me to hear Tchaikovsky? Educate me, perhaps? What a shame...