Serious answer here. My Shearwater Hot Rods are toed in _just a little_ . Toe in too much (aimed at the ears when seated at midpoint) and the s.s. is so tiny that you need your head in a vice. With the speaks aimed past the head but not parallel, the s.s. is less pinpoint, the transition from spot-on through off to the side to "Is the other speaker working?" is smoother.
All predictable, you say. Yes, I agree, but what surprised me was the dynamics. A broader sweet spot gives slightly less intimacy but more interesting dynamics. As though a bigger "window on the event" also let more air movement through to the listener. Odd.
All predictable, you say. Yes, I agree, but what surprised me was the dynamics. A broader sweet spot gives slightly less intimacy but more interesting dynamics. As though a bigger "window on the event" also let more air movement through to the listener. Odd.