Who has listened to Sonus Faber "Cremona Auditor"

Thanks for the replies. Any other Auditor owners out there?

I went into a Magnolia Audio store and wanted to hear the Auditor. I was really disappointed with the small soundstage and rather veiled sound. However, it had interesting imaging which was set back behind the speakers like listening to music way back in a concert hall. Also the speakers were a lot smaller than I thought. To be fair, this store has very mediocre sounding electronics. I was listening to a Krell 120 watt integrated amp. The sound had absolutely no liquidity and sounded flat. There were two Martin Logan speakers in the room that absolutely blew them away (In my opinion), the Aeon and Ascent. However, I was really glad to get home and listen to my system which is multiple times better sounding than anything in that store. (Again, I blame the electronics!)

The store is beautiful...however, it's just a Best Buy with nicer stuff.

Ernie.

I heard a pair of Cremona Auditors last april at a local hi-shop and they sounded great driven by an entry level naim intergrated amp. I don't remember the amp's model number. At the time I thought the Auditors were one of the most musically involving and refined monitors I had ever heard, and promptly purchased a pair. Unfortunately the dealer failed to mention that the Auditors require exact precise room placment to sound their best, and I was never able to get them to sound as they did in the showroom. The dealer also told me they needed about 300 or more hours burn-in time, as opposed to Summiko distribution's suggestion of just 25 hours. I spent the next three months burning them in, and at 250+ hours and the Auditors went from sounding warm and dull to overly bright and etchy. No matter where I placed them in my listening room they sounded dreadful, and I promptly got rid of them. However to be fair and honest I suspect that my equitment, (consisting of a Musical Fidelity AC3r Pre-amp/B&K Sonata series EX330 amp/Theta pearl transport/Aragon D2A2 mkII Da converter), were either a complete mismatch or not refined enough to have been used with the Cremona Auditors. unfortunatly I will never know what went wrong. but I must also stress that I had used the same Equitment successfully with a pair of Platinum Audio solo's a few years ago.
PS. I also used Cardas cross and micro-twin interconnects as well as Analysis Plus Oval Nine speaker cable and wonder if they were the cause of my difficulty. Any comments would be greatly Appreciated. Thanks!

i had a chance to hear the sonus cermona auditors at a local hi-fi store. i had seen postings mentioning that these speakers are better for rock or home theater than the earlier sonus faber models, which people generally like to say excel for classical music, and that they're different from the traditional sonus faber sound.

in my listening experience, i thought that they didn't have the "soft" sound that i associate with the sonus faber brand, but they still had a family resemblance. the auditors really excelled on a couple jazz discs i checked out. horns sounded beautiful, full bodied, and there was a nice luxurious and sensuous element to the sound. however, when i tried some rock discs, those qualities didn't sound right to my ears for my tastes.

I heard em. They do the "sonus faber thing" with Diana Krall and whatever other crap that gets used to audition speakers. It lures people in, but it gets tiresome after a while.

They absolutely BUTCHER rock. Meaning, they suck with rock.

If you ONLY listen to jazz and smaller scale classical, they're worth an audition. Otherwise, I'd stay away.