Exert - the trick in bi(multi) amping is to know what the designer has done in the passive x-over. Not easy, I know. I wonder if Mr Thiel would give suggestions re, going active in the bass (if s/one were serious about this of course).
The point is, a line-level x-over is fed low level signals, and is much more stable in its filtering action (and often, cheaper). Also, an amp connected to the voice-coil (or nearly) is a much more efficient way of using amp power.
One of the problems with passive x-overs is they perform differently given the power fed to them (which is high), influencing the amps, the frequencies, creating magnetic fields, etc, etc, ad nauseam. If you get it right with a 1kHz sine wave at 1W, it won't necessarily sound "right" with music (multiple waves) at say 8W, etc.
Hence acoustic tests to fine-tune a spkr through the x-over
The bass is a very good first target for discrete amplification. There, all that's needed is usually the x-over frequency & slope; you'd also check for baffles step compensation and any other trick in the x-over (there won't be many). These points are easily addressed with an active filter (yr typical Behringer allows a choice of different slopes, frequncies of course, time delay, transform functions, frequency boost or attenuation etc). If the spkr manufacturer helps with info, it should be possible to get good results (probably better than the original passive) with more, but less expensive amps, by keeping the mid-high x-over as is passive, (one amp, low-medium wattage) and pulling out and biamping the bass region (higher wattage).
People like Nuddel (Genesis sp?) have been offering this, at a price!
The point is, a line-level x-over is fed low level signals, and is much more stable in its filtering action (and often, cheaper). Also, an amp connected to the voice-coil (or nearly) is a much more efficient way of using amp power.
One of the problems with passive x-overs is they perform differently given the power fed to them (which is high), influencing the amps, the frequencies, creating magnetic fields, etc, etc, ad nauseam. If you get it right with a 1kHz sine wave at 1W, it won't necessarily sound "right" with music (multiple waves) at say 8W, etc.
Hence acoustic tests to fine-tune a spkr through the x-over
The bass is a very good first target for discrete amplification. There, all that's needed is usually the x-over frequency & slope; you'd also check for baffles step compensation and any other trick in the x-over (there won't be many). These points are easily addressed with an active filter (yr typical Behringer allows a choice of different slopes, frequncies of course, time delay, transform functions, frequency boost or attenuation etc). If the spkr manufacturer helps with info, it should be possible to get good results (probably better than the original passive) with more, but less expensive amps, by keeping the mid-high x-over as is passive, (one amp, low-medium wattage) and pulling out and biamping the bass region (higher wattage).
People like Nuddel (Genesis sp?) have been offering this, at a price!