Most horn based systems, even those with direct radiating woofers, tend to suffer from the following problems:
1) The frequency chosen to cross between the woofer and mid is in a very critical area. This creates un-natural peaks, dips and overlap between the drivers.
2) The woofers are typically too large to do upper bass and lower mids real well, so the sound comes across as slower than if a smaller, faster driver were covering the same signal.
3) The designer counts on the involvement of the horn throat to lower the "effective operating range" of the mid driver, in effect using it below the point that it would perform optimally. As such, they need to realize that there is a BIG difference between "usable output" and "high quality output".
4) The crossover point further confounds the issue by playing games with the harmonic structure of the human voice. Since the signal is divided between the two drivers ( woofers and mids ) with different transfer characteristics, you experience two different levels of speed, dispersion and placement within the soundstage.
Are you following along here ??? I think that you get the idea. It is not the horns that screw things up, it is the overall design and how it is implimented : ) Sean
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1) The frequency chosen to cross between the woofer and mid is in a very critical area. This creates un-natural peaks, dips and overlap between the drivers.
2) The woofers are typically too large to do upper bass and lower mids real well, so the sound comes across as slower than if a smaller, faster driver were covering the same signal.
3) The designer counts on the involvement of the horn throat to lower the "effective operating range" of the mid driver, in effect using it below the point that it would perform optimally. As such, they need to realize that there is a BIG difference between "usable output" and "high quality output".
4) The crossover point further confounds the issue by playing games with the harmonic structure of the human voice. Since the signal is divided between the two drivers ( woofers and mids ) with different transfer characteristics, you experience two different levels of speed, dispersion and placement within the soundstage.
Are you following along here ??? I think that you get the idea. It is not the horns that screw things up, it is the overall design and how it is implimented : ) Sean
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