IMO, you'd be well advised to determine HOW to do it well & IF it's worth doing it. The "best" subwoof can be chosen based on the above.
At that (excellent) level of spkr you'll prefer a stereo (i.e. two subwoofs). BUT as your spkr officially specs -6db @ ~30 Hz AND there's probably some room gain too, all you'd be doing is adding energy btween 35-20Hz... that last (less than one) octave. However, if you insist:), here's one way of doing it:
* hi-pass the Tannoys at ~40-50Hz with a line level filter (i.e. before the amp).
* narrow down woof choices, referring to their linearity in the lowest octave (15-30 or 20-40). EBS alignment woofs may be the ticket here.
* your speakers are very good & IMO need subwoofs usually described as "fast" (it's a description of transient, flat q, matching with the main spkrs, etc; there's no such thing, really).
* maybe dipole subwoofs (the german "attac 400" come to mind) or, if unavailable, closed boxes -- so that the sound doesn't seem to lag or result into what's called "bass heavy", lagging.
Finally, of the few commercial designs I've heard, I liked the big Velodyne, the big A-Physic and a Vandersteen model. I heard all these in stereo mode (i.e. two), placed next to the main spkrs.
Cheers
At that (excellent) level of spkr you'll prefer a stereo (i.e. two subwoofs). BUT as your spkr officially specs -6db @ ~30 Hz AND there's probably some room gain too, all you'd be doing is adding energy btween 35-20Hz... that last (less than one) octave. However, if you insist:), here's one way of doing it:
* hi-pass the Tannoys at ~40-50Hz with a line level filter (i.e. before the amp).
* narrow down woof choices, referring to their linearity in the lowest octave (15-30 or 20-40). EBS alignment woofs may be the ticket here.
* your speakers are very good & IMO need subwoofs usually described as "fast" (it's a description of transient, flat q, matching with the main spkrs, etc; there's no such thing, really).
* maybe dipole subwoofs (the german "attac 400" come to mind) or, if unavailable, closed boxes -- so that the sound doesn't seem to lag or result into what's called "bass heavy", lagging.
Finally, of the few commercial designs I've heard, I liked the big Velodyne, the big A-Physic and a Vandersteen model. I heard all these in stereo mode (i.e. two), placed next to the main spkrs.
Cheers