Is it possible to have Good Imaging close to wall


I keep looking for the best speakers to stand flush against the front wall and end up looking at the usual suspects: North Creek Kitty Kat Revelators, Allisons (now old), Von Schweikert VR-35, NHT Classic 4s, Audio Note AN/K, and other sealed or front ported speakers. But I have never understood how, even though the bass is controlled, they can defy the law of physics and image as well as, say, my great actually owned other speakers, Joseph Audio Pulsars, far out in the room? Is it physically possible for these flush mounted speakers to image as well?
springbok10
B_limo,

With my OHM omni's, speaker distance apart has little effect on soundstage width. It is wall to wall, about 20" total even if speakers are just a few feet apart. My room is L shaped with the OHM's sitting at the base of the L firing into the long dimension, which is narrow. Omnis are are a perfect fit there. I had Maggies there prior and could never get them to work as well as I knew they could from prior experience with them in other rooms.

Achieving soundstage depth is the biggest challenge in this room as with most in that having speakers too far out from rear wall is a practical problem in many cases, but the OHMs do a good job even with just enough distance from rear wall to avoid early reflections. I like the distance the reflected sound travels to be about 2X that of the direct, to the extent possible, for best results.

A large room, wide and deep, with lots of space behind, does help not only with enabling a large soundstage, but also helps our ears to be able to triangulate on sound locations within the soundstage better and with more detail, ie perceive imaging within the soudstage accurately. Our 2 ears and two eyes work similarly in this way in terms of being able to see or hear in "stereo" and being able to locate things spatially in three dimensions.

Generally, you will want more room behind the speakers to work well with more space between. WHen speakers move closer to rear wall, less space may be best between speakers as well. It's mostly about getting the right distribution, balance, and magnitude of direct and reflected sound from the two stereo speakers at the listening location or locations.

An excellent tweak otherwise would be to move one's ears further apart somehow. Not likely to happen though, so lots of open 3-D space for the speakers to image in is your friend in general otherwise.

Things work similarly in smaller rooms, but on a smaller scale. Its like having a 15" TV versus a 70" big screen in essence. If set up right including listening position, similar good things can still happen, just on a smaller scale.

I find omni's overall to be easier to setup for good overall results than more directional designs, though fine tuning for absolute best results is still needed as well.

At my reference mbl demo behavior appeared similar ie distance to rear wall was the key as long as early reflections from side wall were not in play.

That room was also heavily treated with curtains and other soft absorbent materials, which were absent at show demos with lesser results. Also the room area behind the mbls was tapered, not rectangu;lar, much like a musical instrument, probably to minimize resonances.

If I had a room like that, I think there is a chance my OHMs could probably challenge the mbls for soundstage depth and maybe even beat them in most every other way, but I may never know for sure.

My big OHMs ended up costing me about $2500 a couple years back, with sale price at the time and maximum trade-in value (40%) applied. They go for about $6500 brand spanking new these days, less if OHM Walsh CLS driver "can" is mounted in older refurbed cabinets, like mine, which are refurbed OHM F cabinets that could be a good 30-40 years old by now.

Dynamics are top notch as well. I do not feel wanting after a good horn speaker demo when I come home.

The big mbl 101s may be the boss in terms of bass output potential and dynamics there though. THe mbls I heard were "only" 111e's. Have never had the pleasure of hearing 101s.

TO challenge bass output from 101s perhaps, OHM now has a 5015 model with powered subs integrated into the cabinets for about $10K. I would love to hear a shootout between those and mbl 101s each set up optimally.
Only if you take steps to mitigate reflections from the wall. That's all there is to it.
I had some success with Daad3 bass traps. They dont catch much bass but help with lower mid and vocal - in my case - if placed three feet or so behind the main speakers.
Here is the easy recipe for very good sound for veritually no cost for many to hear recordings sans room acoustics and reflections. Its pretty good! If you don't need room acoustics to get the sound you want, this may be all most people would ever need.

1) RIP a few tracks from CD to .wav using any good quality ripping software. Windows MEdia player set to store lossless .wav does nicely.

2) upload tracks to amazon cloud player website. You can do up to a few hundred tracks for free. Only tracks in Amazons music catalog will upload though, so some will not.

3) Grab a pair of good quality earbuds or earphones, plug it into a good quality newer PC. Nothing fancy needed, just avoid junk. I find Klipsch S4 earbuds at well less than $100 do very well. OR use an Ipad, iphone, android device or any device with decent sound quality and a browser to access Amazon Cloud player website.

4) You should get pretty decent sound quality, sans room acoustics. Makes for a decent reference for constrast and comparison. You'll need a decent home system set up right (not easy in comparison) to get better results most likely. Of course, earbuds and speakers in a room are two totally different beasts, but both can be very satisfying these days.

Does not have to cost much to get in the game with this approach though. I'd be willing to bet that the average intelligent youth these days weans better sound quality out of a setup like this than many audiophiles who have labored for years and spent many $$$Ss trying to just get decent sound that might hold their interest over time.
Bodotes, I am coming in a bit late to this conversation, not that I will have much to add to it really, other than to comment on the Larsens you mentioned. I have lived with the smallest of the line, the Model 4, and as you put it, it is one fantastic speaker, one of very few wall boundary types of speakers that seems capable of doing depth and eliminating the typical 2-D cardboard cutout effects that most seem to have. These speakers are indeed very good! Good to see them finally getting some press and appearances at some of the shows.

I alternate speakers every now and then, and my other "reference" for what it is worth, is a pair of Shahinian Obelisk 2's which I have owned for a year now. I also have owned Ohm Walsh in various types, never the real Ohm Walsh however. I do tend to enjoy the omni/semi-omni presentation in general more so than any other speaker that I have owned.

The Obelisk has gotten to be quite expensive over the last few years, well worth it in my opinion, yet I find the Larsen maybe a bit more cost effective, and as it stands, I dare say the small Larsen Model 4 gives up little in comparison. Yes the Obelisk to my ears is better, but in general, either one does the job for me.

And probably, if I wasn't fortunate enough to own these two, Ohms would be what I would own, again a serious contender for reasonable prices. I would also give the nod to the Ohms for their sheer dynamic ability over either of the two speakers that I own. Especially when you are in the 4000/5000 series of Ohm, a very good speaker indeed.

I would love to someday hear Dukes creations as well, a very well thought out and interesting design. I try to not get too worked up over design and theory, but allow my ears to tell me what is good for me. Many ways to skin the cat so to speak.

I am glad that the Larsen was brought up though. I have tried to maybe temper my thoughts at times on these, some may think I am too Fanboy about them! At any rate, good discussion here! Enjoy guys. Tim