In amps and preamps, the mechanism that contributes most to a situation of harsh detail is emphasis of the odd-ordered harmonics that the ear uses as loudness cues.
These harmonics tend to be emphasized by transistors and the use of global negative feedback. So if a warm sound is desired, that will be an important step- limiting those influences in the system.
Generally this means tubes, although it does not have to- Nelson Pass' First Watt amps are examples. But one thing is sure- if a move to such amplifiers is made, the speakers will have to go, as they will be incompatible with the power amplifiers (tube or solid state) that can do the job right.
For more info see:
http://www.atma-sphere.com/papers/paradigm_paper2.html
These harmonics tend to be emphasized by transistors and the use of global negative feedback. So if a warm sound is desired, that will be an important step- limiting those influences in the system.
Generally this means tubes, although it does not have to- Nelson Pass' First Watt amps are examples. But one thing is sure- if a move to such amplifiers is made, the speakers will have to go, as they will be incompatible with the power amplifiers (tube or solid state) that can do the job right.
For more info see:
http://www.atma-sphere.com/papers/paradigm_paper2.html