Lightspeed Attenuator - Best Preamp Ever?


The question is a bit rhetorical. No preamp is the best ever, and much depends on system context. I am starting this thread beacuase there is a lot of info on this preamp in a Music First Audio Passive...thread, an Slagle AVC Modules...thread and wanted to be sure that information on this amazing product did not get lost in those threads.

I suspect that many folks may give this preamp a try at $450, direct from Australia, so I thought it would be good for current owners and future owners to have a place to describe their experience with this preamp.

It is a passive preamp that uses light LEDs, rather than mechanical contacts, to alter resistance and thereby attenuation of the source signal. It has been extremely hot in the DIY community, since the maker of this preamp provided gernerously provided information on how to make one. The trick is that while there are few parts, getting it done right, the matching of the parts is time consuming and tricky, and to boot, most of use would solder our fingers together if we tried. At $450, don't bother. It is cased in a small chassis that is fully shielded alloy, it gets it's RF sink earth via the interconnects. Vibration doesn't come into it as there is nothing to get vibrated as it's passive, even the active led's are immune as they are gas element, no filaments. The feet I attach are soft silicon/sorbethane compound anyway just in case.

This is not audio jewelry with bling, but solidly made and there is little room (if any) for audionervosa or tweaking.

So is this the best preamp ever? It might be if you have a single source (though you could use a switch box), your source is 2v or higher, your IC from pre-amp to amp is less than 2m to keep capaitance low, your amp is 5kohm input or higher (most any tube amp), and your amp is relatively sensitive (1v input sensitivity or lower v would be just right). In other words, within a passive friendly system (you do have to give this some thought), this is the finest passive preamp I have ever heard, and I have has many ranging form resistor-based to TVCs and AVCs.

In my system, with my equipment, I think it is the best I have heard passive or active, but I lean towards prefering preamp neutrality and transparency, without loosing musicality, dynamics, or the handling of low bass and highs.

If you own one, what are your impressions versus anything you have heard?

Is it the best ever? I suspect for some it may be, and to say that for a $450 product makes it stupidgood.
pubul57
In the February issue of TAS, Neil Gader interviews John McDonald of Audience, and he said something that somehow seems related to this thread:

"At Audience,the Golden Rule is 'first, do no harm,' defining harm as any deviation to the original recording. So high-end to me and to the Audience team is about staying true to the music. Sound-sculpting should be left to the recording artists and engineers"

He could have very well had said, "true to the source" - which I suppose is one reason that those that do like the LSA, like it - true to the source is the raison-d'etre [?] of the hair shirt minimalist approach to do no harm.
You find can many synonyms for the golden rule of audio used by manufacturers and end users alike. It makes for good ad copy. The problem is how you define "source". If by source you mean the recording, then unfortunately 9/10, the harm has already been done. One of the primary "sound sculpting" tools used by recording engineers seems to be compression. The rectification of that and other sins committed in the recording studio makes this hobby a lot more arduous than it should be.

For the sake of clarification, I am referring primarily to digital source material as I am a child of digital revolution.
When I say source,I mean the recording, not the live event -there simply is no direct connection to it, but the recording is the reference for purposes of the argument here - true to the recording is proabably better language than saying true the source (live event) - that simply is out of our control and always lost in the very processing of recording, no matter how good the recording and playback equipment. I feel like in a Platonic cave all of sudden....
All you proud Lightspeed Attenuator owners, look out for the upcoming Stereophile issue (I think April issue which comes out in March) with Recommended Components listing, as they just emailed me for any changes (pricing, design etc) to be included in the write up on it.
This will be the 5th time your Lightspeed Attenuator has made it into Recommended Components since 2009 when Sam Telling first bought his from me. I have a feeling it may set some sort of record for Recommended Component longevity.

Cheers George