Frankk
You seemed to be off on several points in your comments.
First, you seem to be confusing the Montille with the Montrachet.
The Montrachet is a EL34 based amp that can be ordered as either a push pull or single ended amp.
Don't be so enamored of something being DHT or single ended. I used to think like that many years ago. However, a good design is a good design whether it uses DHT, pentodes, etc. Just slapping a 300B, 2A3, 10Y, etc. into an amp does not make it great. In fact, one of the big problems with SET amps is that is is relatively easy to build something that sounds good. To make it sound great requires a lot more effort. An effort that I don't really see in many commercial offerings. Trust me. I've been building my own stuff for over a decade. One of the reasons I own Shindo gear is that I know what it takes to build something and I can appreciate the exquisite details Ken puts into everything he builds.
Also, there are no issues with Shindo getting electrical approval in the US. Otherwise, Shindo gear would not even be on sale in the US. The electrical issues are in Europe due to new EU laws that just went into effect. This affected not just Shindo but a large group of companies.
As for pricing, it is not unusual for gear to cost less in their domestic market. Also, grey market goods can give the illusion of lower pricing (pretty common in Asia). I suspect you picked up this point from other posts on Shindo gear made a certain poster. I'll leave it at that.
Ken Shindo does not speak English so direct communication is difficult. However, his service has been exemplary due to the efforts of Jonathan Halpern, the US distributor and Matt Rotunda at Pitch Perfect Audio. For example, my Shindo SPU cartridge developed a problem. The repairs and rebuild job was done free of charge and Matt loaned me a cartridge to use while mine was being repaired. The loaner cartridge was a $2K cartridge. I would consider that pretty good service and customer support. Also, even though Ken does not speak English, he is fully aware of his customers. When I ordered my Vosne Romanee, Ken sent a message via Jonathan and Matt that he would put something extra in the preamp since I was a good customer. Again I would say that the support is very good.
Shindo has decided to be represented by his distributors and dealers. A lot of people deride the value of a brick and mortar store or lament the lack of service. In my dealings with Jonathan and Matt, I've received nothing but the best service. It is a service that I also have no problems paying a premium for. In the end, you get what you pay for.
BTW- if the push-pull Montille doesn't float your boat, no problem. You can always go for a Shindo Lafon using real PX25 tubes or have something custom built for you. All of his gear are limited editions anyways.
You seemed to be off on several points in your comments.
First, you seem to be confusing the Montille with the Montrachet.
The Montrachet is a EL34 based amp that can be ordered as either a push pull or single ended amp.
Don't be so enamored of something being DHT or single ended. I used to think like that many years ago. However, a good design is a good design whether it uses DHT, pentodes, etc. Just slapping a 300B, 2A3, 10Y, etc. into an amp does not make it great. In fact, one of the big problems with SET amps is that is is relatively easy to build something that sounds good. To make it sound great requires a lot more effort. An effort that I don't really see in many commercial offerings. Trust me. I've been building my own stuff for over a decade. One of the reasons I own Shindo gear is that I know what it takes to build something and I can appreciate the exquisite details Ken puts into everything he builds.
Also, there are no issues with Shindo getting electrical approval in the US. Otherwise, Shindo gear would not even be on sale in the US. The electrical issues are in Europe due to new EU laws that just went into effect. This affected not just Shindo but a large group of companies.
As for pricing, it is not unusual for gear to cost less in their domestic market. Also, grey market goods can give the illusion of lower pricing (pretty common in Asia). I suspect you picked up this point from other posts on Shindo gear made a certain poster. I'll leave it at that.
Ken Shindo does not speak English so direct communication is difficult. However, his service has been exemplary due to the efforts of Jonathan Halpern, the US distributor and Matt Rotunda at Pitch Perfect Audio. For example, my Shindo SPU cartridge developed a problem. The repairs and rebuild job was done free of charge and Matt loaned me a cartridge to use while mine was being repaired. The loaner cartridge was a $2K cartridge. I would consider that pretty good service and customer support. Also, even though Ken does not speak English, he is fully aware of his customers. When I ordered my Vosne Romanee, Ken sent a message via Jonathan and Matt that he would put something extra in the preamp since I was a good customer. Again I would say that the support is very good.
Shindo has decided to be represented by his distributors and dealers. A lot of people deride the value of a brick and mortar store or lament the lack of service. In my dealings with Jonathan and Matt, I've received nothing but the best service. It is a service that I also have no problems paying a premium for. In the end, you get what you pay for.
BTW- if the push-pull Montille doesn't float your boat, no problem. You can always go for a Shindo Lafon using real PX25 tubes or have something custom built for you. All of his gear are limited editions anyways.