So I thought I'd post a bit of feedback now that the LSA has had a couple of weeks of play to settle up.
My regular attenuator is a Townshend Allegri passive which retails for very many times what the LSA costs. Retail price is not a reliable indicator of performance as we know: just setting the scene.
I have to say that the LSA is simply astonishing. It is fluid, extended at the frequency extremes and has a lightning fast attack at the leading edge of notes, then a detailed and realistic decay. Instruments exist in their own space and are distinct from others. There's a quiet confidence to the sound, with a dark background seemingly devoid of interference/noise. No grain, silken and natural.
That's the thing: this really plays music rather than sounding like "good hifi". Music sounds real and involving.
The LSA seems equally happy with Hans Zimmers massive layering and soundstage as it is with Marcus Millers dynamic bass guitar, Army of Mushrooms's bonkers electronica or Jan Garbareks soprano sax. It all works.
In short: Well done George! Overall, the LSA bests the Townshend in my system.
Robert