Music Reference RM9 and Preamp Experiences

Maybe the Cary SLP-98 could be worth a spin here. With the right combination of 6SN7 tubes the sound could be tailored a bit. Overall the signature is classic Cary with lush mids, but some Tungsols or RCA red base 5692's could even that out a bit.

I use the Music Reference RM-5 mK 3 with good results.I don't use the phono stage,so can't comment on that.The line stage is very good,have not heard many other preamps with this amp so can't comment.I am very happy with this one.

Pubul57, you might give the Herron Audio VSTP-3 tube preamp a listen. In my system, it is fantastic and Keith Herron is great to deal with.
Carter

Well since I started this thread, I've been through alot of preamps, and my favourite so far is the Lightspeed Attenuator which replaced the Joule LA-150 Signature Edition, and I prefer it to several other passives I have tried including TVCs and AVCs.

I've got a Music Reference RM5III and I find the phono stage is considerably more transparent than the line stage. It's line stage has great balance and musicality, but it's not the last word in transparency in my system. The phono stage however, is a real winner within the limits of it's 36db of gain. Of course, it's possible the RM5 mates in a more synergistic manner with Music Reference amps (and others) than it has with those amps I've used it with. As to Rogers insistence no preamp is the equal of a passive, I'd say that Roger has some closely held beliefs that seem to be primarily rooted in engineering logic rather than listening. Nothing wrong with that, it's just that most of us know engineering logic isn't always a guaranteed path beautiful sound. Audio reviews in print and on the web are replete with numerous tales of those who tried to follow the path to audio nirvana through the use of passive preamps and eventually found them unsatisfactory. For the modest outlay, the "pot in a box" isn't a big gamble to try though.