Disturbing "Sonic Trend" showing up on SOTA audio



Exaggerated high frequencies and etch = "details"

Biting unnatural attacks = "fast transient response"

Unnaturally dry bass = "taut" and “tight”

This is what I hear at shows, homes, and stores, over the last several years!

Have "new" audiophiles lost their way, in relation to what "natural sound" of "non-amplified acoustic" music sounds like?

This "type" of sound is increasingly selling as current "State of Art".

Audio has more BS, and nonsense, than any hobby that I know of!

And as "Crazy" becomes acceptable, it drives more "Crazy".

I have been in this hobby since the 70's and heard it all.

Maybe those that kept their older systems, and got off the "marry-go-round", of latest and most expensive is best, are the most intelligent!
don_c55
I said this before on a very old thread: I sat in a small church not five rows back
and dead center to listen to a period piece played with period instruments. There
were only three instruments. It was impossible to discern any kind of distinct
imaging. The sound was homogenous. The acoustics were really great though.
Lots of hall ambiance, tone and presence.

The only thing that was certain was the tone, timing, and ambiance. It was
emotional and uplifting, but not at all what I hear on my system, save for the
tone, timing and ambience.

For those reasons alone that's all I look for in my system and it succeeds
admirably. I would even go so far as to say that most systems here on A'gon
achieve that purpose but folk are obsessed with imaging, which can only be
appreciated when done in a studio.

All the best,
Nonoise
It's just another aspect of recordings that can make things more enjoyable
when done well. MBL done right in a larger room is the best I have heard
to date. Same system in a larger room done not so well not as impressive.
Schubert, my speakers are Clearwave Duet 6 monitors. When I first got them I thought there was something wrong with them as the highs weren't as pronounced as I was used to. It took some experimenting with placement and cabling but now it's pretty much sorted out.

When in the midst of all of this I called the designer, Jed, and he told me that he dialed everything in to be as flat as possible and that what I was used to hearing was an exaggerated high end response. Now that I've acclimated to them, they sound every so involving and right. They look a lot like a pair of Marten Duke 2 monitors.

All the best,
Nonoise