solid state vs tubes


has anyone compared a tube amp to a solid state amp and discovered that the diffference sonically between them was undetectable. ? if so what was the tube amp and what was the solid state amp ?

the reason for the question is the basic issue of the ability to distinguish a tube amp from a solid state amp.

this is especially interesting if the components were in production during the 90's , 80's or 70's.

if the components are in current production the probability of such aan occurrence might increasea.

why own a tube amp if there exists a solid state amp that sounds indistinguishable from it ?
mrtennis
Atmasphere, until I see more compelling evidence, or get a free trial, I'm not spending my hard earned money on something like this. I don't hear the need.
aTMAS,

Aren't 4 ohm loads more problematic for tube amps in general? Isn't that part of teh reason why you advocate 8 ohm or higher speakers for use with your tube amps?

I will gladly try the zeros if someone wants to loan me a pair. If I ever experiment with a SET amp down the road, the zeros might come in handy.
In my youth there was a definite difference in sound between tubes and solid state. Audio Research and Conrad Johnson vs. Krell and Mark Levenson. Today, the very best designs have closed the gap so that there isn't a solid state or tube sound. There are excellent examples of each. Today,Audio Research and Ayre sound more similar than different.
Just ask any (experienced) guitar player. ALL amps sound different, as well they should. I think the bottom line is that tube stereo amps sound better than ever but they're fussy, relatively expensive (relative to SS designs), and tubes start to kill themselves off pretty quick. I love the harmonic richness and appropriate tactile response tubes give to my various guitar amps (when biased correctly and using good tubes), but SS hifi amps (well designed ones) can, of course, sound amazingly musical and they seem to keep sounding that way much longer than tube amps with less upkeep. I prefer MOSFETs (warmer or something), and I am gonna try a class "d" hifi amp soon (modern pro audio is all about class "d"...those "phased array" speakers you heard at that concert with your girlfriend on your shoulders spilling beer on your head...likely class "d" powered).

Wolf,

I'm largely with you in regards to my view of tube and SS amps.

Class D is a godsend for getting the most cost effectively out of most recordings in particular modern ones which can tend to be more challenging due to loudness levels applied with modern speakers that tend to be less efficient and are often difficult to drive to the max properly.

I've found Class D is like one of the last missing pieces I needed for getting good sound all the time out of my system.

I think many who complain about the sound quality of modern digital recordings need to get with the times and give Class D a try perhaps. Or continue to just live in the past and complain about anything that is new or different.

I want the best of both worlds. Class D helps more people achieve that.