difference between an active and a passive preamp?

Dracule1 said:

source output voltage at least 2V (this also depends on the input sensitivity of your amp)

Can you expand on this?

For example, if amp X has an input sensitivity of 1.25 V, 1.25 V from the source (eg,CD player) is need to achieve full rated power from your amp X. So if amp X is rated at 100 watts, it needs 1.25 V to produce 100 watts. If amp Y has input sensitivity of 2.8 V, then your standard CD player output of 2 V is not enough to get full power out of your amp. In this case you need active preamp, to provide that extra output to get full power out of your amp. Most passive transformer or autoformer preamp can provide an extra 6 dB of gain (stepped resistor, pot, or LDR based passives can't), so you can mitigate some of this. I'm not too certain on about how the length of the interconnects affects this. But I think longer interconnects will decrease the amount of effective volts the amp sees from the source. So I try to keep my interconnects as short as possible which also helps to prevent significantly losing high frequency response. If anyone more technical can find any error in my explaination, please correct me. I'm not that technical.

@audioflyer67
+1 for the Luminous preamp. It's about $150 with the better caps and they'll use your systems measurements to get the right resistor. You can't beat it for the money.

@dracule1
What am I missing? My amp has a sensitivity of 775mV (VTL compact 100), and I've been running 20 foot interconnects between the amps and various passive pre's with great results. Not sure of the numbers for my dac (Levinson360s). For cables I've used Apogee, Discovery, and Crimson Musiclink. My current, favorite, and last passive is a Bent NOH based on the music first design and transformers. I've also used the Luminous and the Prometheus passives.

Go figure, it sounds great!

Larry to tower...get ready for the flames...here comes a statement which will be trounced on...

Personally, I've NEVER liked passives...ever.
They sound 'washed out' to me. It's almost as if the input signal to the pre is somehow absorbed more than passed and that the result is an anemic output--dynamically.
I suppose that someone on the other side of the ledger would simply claim the opposite--more pure no 'changes made by poor circuitry in the gain stage.'
I've heard several along the years and just don't get what I like.
For example--growing up in audio, my favorite preamps were,

Conrad Johnson's, (I know they use lower case) Premier 3
Gryphon's LS1 (Model may be wrong) $9000. in the late '80's.
They were both different, but both incredible.
The cj was a beautiful sounding, (though colored) preamp, with space within space along with beautiful textures.
The Grypon was a work of art, both asthetically and musically (electrically) employing two outboard power supplies. It DROVE, DROVE, DROVE, the amplifier like no other up until that point...by a wide margin.
One day, slow day in retail, a guy came in from New Jersey...he'd been to every store in North America, by his own admission...anyway, he came in to hear what we were doing. For giggles, I said, I'll bet you've never heard the Adcom GFA 535 (60wpc). It was a $299. amp back then as I remember.
I hooked it up to the THIEL CS5..(which dropped to 1.5 OHMS in the bass, very tough load to drive).
I played it with the Adcom, probably GTP500 Preamp/Tuner combo piece, that it was normally paired with.
He yawned...of course so did I.
Then, hooked the Grypon to it and he was open mouth stunned. WOW!
He said, I've never heard a preamp that controls like that.
'Me neither'.
Gryphon sent 13 into the United States that year...I sold 11 of them in Louisville, KY, the Mecca of High End Audio.
lol.
Buy a regular preamp not a passive...all things being equal, you'll be happier.

Good listening,
Larry

I never met a passive preamp I could live with...dynamics are severely squashed