Solid State for Rock and Tubes for Jazz, Yes or No

Walsh type speaker drivers might be unique in terms of how high damping
affects the sound.

If you read up on lincoln walsh's design, you find walsh drivers operate as
a transmission line based on walsh's experience withradar systems in
ww2. Also, they are mounted vertical not horizontal and gravity
becomes more of a factor. I think the high damping helps the
transmission line principle function better to deliver better detail and
accuracy overall, not just nuanced and well controlled bass.

hi tmsorosk,
Actually I agree with you, most everything we state concerning audio is just based on our individual experiences and and the conclusions we form as a result. What I wrote is just my personal account and impression of my reaction to different amplifier types and not a universal proclamation to be accepted by everyone else.

Chad,Atmasphere, Larryi and others have noted findings same as my own, so I could relate to their points .Larryi`s satisfaction with SET amplifiers is something that I discovered several years ago and would not had thought possible prior to this exposure. OTLs also work great for some with the right speaker choices.

There`s no question there are a number of paths to achieve exceptional bass. I just think some are unaware of the very sucessful method available with high efficiency speaker and tube amps with low DF.This is counter to conventional wisdom.

Regards,

I do like SET amps, and I have compatible speakers and can therefore largely sidestep their biggest tradeoff (lack of power), but that does not mean that I don't appreciate other kinds of amps equally.

The amp that is currently in my system, which I like very much, is a 5 watt pushpull amp. It is a terrific amp for my system. Is it great because of, or in spite of, it being a pushpull amp? I have no idea. It is different in so many other respects from my other favorite amp (parallel single-ended 2a3 amp). In addition to being pushpull, it uses a different combination of tubes (348 and 349), it has transformer inputs (matches my linestage's transformer outputs), etc. It does have a somewhat generic sounding bass response--not as tuneful, and varied as the bass from my SET amp and not as open on top--but it is punchy and very sweet sounding in the midrange. Every choice has some tradeoff.

On top of solid state vs. tube; pushpull vs. OTL vs. SET, there are almost infinite variables of tube choice, parts choice, specific design, implementation, etc. This is both part of the fun, or frustration, depending on how you look at things. If one insists on identifying "the best" in even one category, that would be largely delusional. I just look for what sounds good to me, if there is something out there that I missed, perhaps I will find it later; that is part of the fun.

A few months back I heard a rustling at my front door, when I peered through the window I could see a group of asian fellow's that looked quite serious, to my better judgement I opened the door and let them in. It turned out to be an impromptu visit from some audio club members. One of the lads had purchased a used pair of tube amps and wanted to try them in my system before settling them in at home. Being an open minded audiophile I of coarse told him to beat it. After much banter the amps were hooked up and running. Well Larryi may be right about having compatible speakers, but this miss match of SET amp and speakers had bass to die for. They didn't have the grip of the Levinson amps they replaced and sounded a bit unmoored in direct comparison, but the Cary CAD-805A's had bass that wasn't overbearing yet had extension and a subtle yet wonderful texture and fullness. I guess my point is that even driving my Revel Salons these tiny but not lite amps gave a compelling performance that shall not soon be forgot.

I use a tube amp with a MOSFET REL sub...thus I am conflicted as to what camp I'm in. Where am I, and who are these people? I'm frightened.