Coincident Linestage vs CJ CT5 or Allnic L-3000


I currently own a Conrad Johnson CT5 but would like to upgrade and move to a preamp with XLR in/out. I have tested the Allnic L-3000 which I find very intersting, and I am also interested in the Coincident Statement linestage. Has anybody compared the Coincident to the CT5 or the Allnic?
obrennan1963
MrMitch, I don't listen to much rock, but I think the CSL will be fine with any music. I will say it is just fabulous with chamber music. I am listening to the new Shostakovich release by the Pacifica Quartet now, as it turns out. I have found that the CSL provides stunning placement of the instruments in space. One can hear the 1st and 2nd violins as clearly separated in space, which is not always a trivial accomplishment. I have also noticed this on the recent Dvorak release by the Vogler Quartet.
I have had my CSL for over a month now, and I could not be happier.

Wylsynet and Mikha, congrats! My guess is I must be getting close to 300 hrs of burn in now. Yes, it gets even better!
Wilsynet,
One point I wanted to make about your very early impression. Remember that the CSL has a "lot" of high quality iron to break in.The numerous transformers (volume, interstage, output etc.) chokes simply need time.All parameters of sound including drive, dynamics, bass etc just get better. If you're happy now just wait until these important parts mature with more hours of use. There's much wire in those parts. The sound becomes more organic and effortless yet at the same time more alive with improved color-tone saturstion(natural).
Regards,
No, it's not to romantic or soft for rock. I'm positiv it will play any music
you feed it with big emotion. I use mine for rock.
Brownsfan and Charles1dad, thanks. Nice to know that there is more to come. I have 125 hours on it now. My audio buddy visits me a couple of times a week and he says it improves every time. Before CSLS moved to my place he visited 1/ month. Wonder why?
It seems the Dude would be less intrusive than the two piece CSL
Is it the look that bothers you