Coincident Linestage vs CJ CT5 or Allnic L-3000

All this is hear say, until you have both preamps in your system will you really know the truth. I also thought having an interstage transformer was the best. I however, was proved wrong when I compared my VAC SIG 2a preamp with interstage transformer to my Absolare preamp that uses a capacitor. No contest the Absolare is purer much more transparent and much quieter. Folks it is all in the design and after this exercise I am open to any design that is implemented well without biases.

Jwm,
Just as I said above, it's really implementation and design talent, but I do believe that DHT are very special musically speaking. By the way Germanboxers (Jordan) did own both of these fine preamps. Like everything concerning audio, it boils down to personal preferences and desired sound. Jeff your Absolare Passion Signature does outperform the VAC Signature II in your system, I heard the same improvements as ou did.
Charles,

I'm glad that Germanboxer had both that really is the only way your going to know for sure. My point was that I'm open to any well designed product no matter whats inside.

Jeff,
Even solid state? (Smile).

Jordan/Germanboxers,
Need clarification...did you replace your Concert Fidelity CF-080LSX2 Preamp with the Coincident Audio Statement Linestage? If so, could you please let me know the difference in sound, and why you preferred one over the other?

4orreal - yes, I had both in my system at the same time for several months. I owned the CSL and then purchased the CF with the eye toward a remote control linestage without taking a step backward in sound quality from the CSL. I intended to replace my remote volume controlled DAC with one that did not have remote volume. For the curious, with the remote volume DAC, the CSL positively impacted the sound quality compared to running the DAC directly into my Audion amps (that is long separate story in itself).

The CF reveals a great many details, is transparent, very dynamic, and also appears fast (focus on transients). It does not leach tone, nor does it romanticize the midrange. I sold the CF when it became apparent that I was going to stay with my remote volume DAC, making the CF a costly luxury.

I don't think the CSL gives up anything to the CF. The CF tended to better resolve the initial transient at minor expense to the note and decay. For this reason it was sometimes more *startling*. Still, for balance and naturalness across the spectrum, the CSL is hard to beat anywhere near its price. The CF did have a very fine pervasive grain that I began to associate (possibly incorrectly?) with the coupling capacitor the CF uses.

In an ironic twist, I have now ended up with a DAC without volume control, the Luxman DA-06. I've worked around the issue by using the excellent volume control in JRiver running on my CAPSv3 server. Movies and concert videos, on the other hand, require me to raise my butt off the chair, walk across the room, bend over, and adjust the volume on the CSL. How do you CSL'ers and other non remote VC'ers deal with this burden??? ;-) My wife sure has made me soft!! I used to be a Spartan before I met her! ;-)