This is a good thread I enjoyed reading. My experience is, the better the amp, the better the bass. Also, I have found that an excellent pre and power amp make even cheap speakers sound pretty darned good. I am an 'old prog' fan, Gentle Giant, Yes, Elp etc etc. There are just sooo many speakers I wouldn't know what to recommend but the PSB are not bad and should be considered. YES (thinking Close to the Edge or Relayer) sounds fairly good on my AR 11's but they are bigger than you want I think and definitely require a very hefty and refined power amp.
Oh, the frustrations of the speaker search
Yesterday I had a nice opportunity to audition a couple of speakers I felt fit my potential budget and listening preferences. To clear that up:
Budget = $1,200 MAX
Music preferences = 70% prog metal/rock (Tool, Opeth, Dream Theater, Rush, etc.), the rest is a mix of female/male vocalists, movie soundtracks, jazz.
The speakers I went in to audition were Golden Ear Aon 3's and PSB Imagine B's. The shop had an Ayre CD player connected to an NAD C 356BEE integrated amp. Tracks used for demo: Alison Balsom (Trumpet Concerto in E Flat); Tool (Forty Six & Two); Porcupine Tree (The Sound of Muzak); Zac Brown Band (Free); Hans Zimmer (Man of Steel - Terraforming).
My impressions: the Aon 3 ribbon tweeters were doing some really cool things in the treble region, but I didn't like the timbre up there. The midrange was very distant, lacked PRAT, but smooth. Bass was very present (most bass I've ever heard for a bookshelf), but had a rather "bloated" sound to it. I just got the sense that the midbass was bleeding too much into the midrange, causing the lack of presence in vocals and guitars. Soundstage was very nice, but not a whole lot of instrument separation going on. Decent in the detail department. Imaging was solid.
When he switched to the PSBs, I immediately noticed a more defined, taut bass section. Not as much quantity as the Aon 3's, but much tighter and cleaner, IMO. I preferred the midrange handily with the Imagine B's, but definitely noticed the glariness of the metal dome tweeter (as compared to the ribbon in the Aon 3). Overall, I felt the Imagine B was better balanced and the midrange had much more life (positive sense) to it. Soundstage was maybe a bit less in width, same in depth. One thing that I felt was lacking, though, was instrument separation. Imaging was solid.
It was at this point that I felt truly torn. These speakers did things so differently that I really had no idea which one I'd go with (if I had to choose). What made this even more complicated, is the salesman placed a pair of Aerial Acoustics Model 5B on the stands...
Crap. I was glad and mad at the same time after listening to these speakers. Immediately apparent: INSTRUMENT SEPARATION!!! Details, clarity, resolution, timbre. All those words started flooding in my head. Truly balanced sound with a beautifully rendered midrange. Absolutely no glare or harshness to the treble (despite being aluminum dome tweeters...implementation!). Bass quantity was nice, but actually sounded muddy (was very surprised by this).
In the end, it made me realize that even a $2000+/pair speaker can have its flaws (granted still being run by a mid-grade integrated in the NAD). So now I have a reference point, however I don't know if I'd ever be able to achieve that kind of midrange/treble bliss at my price point for the genres I enjoy.
I realized, in the end, that I can live with some bass misfortune (as it can be corrected by cables, electronics, placement, room treatment, etc.)...but I really MUST have that type of midrange/treble that can be so well rendered and discernable, while also being able to ROCK.
This search just got a lot more complicated...
Budget = $1,200 MAX
Music preferences = 70% prog metal/rock (Tool, Opeth, Dream Theater, Rush, etc.), the rest is a mix of female/male vocalists, movie soundtracks, jazz.
The speakers I went in to audition were Golden Ear Aon 3's and PSB Imagine B's. The shop had an Ayre CD player connected to an NAD C 356BEE integrated amp. Tracks used for demo: Alison Balsom (Trumpet Concerto in E Flat); Tool (Forty Six & Two); Porcupine Tree (The Sound of Muzak); Zac Brown Band (Free); Hans Zimmer (Man of Steel - Terraforming).
My impressions: the Aon 3 ribbon tweeters were doing some really cool things in the treble region, but I didn't like the timbre up there. The midrange was very distant, lacked PRAT, but smooth. Bass was very present (most bass I've ever heard for a bookshelf), but had a rather "bloated" sound to it. I just got the sense that the midbass was bleeding too much into the midrange, causing the lack of presence in vocals and guitars. Soundstage was very nice, but not a whole lot of instrument separation going on. Decent in the detail department. Imaging was solid.
When he switched to the PSBs, I immediately noticed a more defined, taut bass section. Not as much quantity as the Aon 3's, but much tighter and cleaner, IMO. I preferred the midrange handily with the Imagine B's, but definitely noticed the glariness of the metal dome tweeter (as compared to the ribbon in the Aon 3). Overall, I felt the Imagine B was better balanced and the midrange had much more life (positive sense) to it. Soundstage was maybe a bit less in width, same in depth. One thing that I felt was lacking, though, was instrument separation. Imaging was solid.
It was at this point that I felt truly torn. These speakers did things so differently that I really had no idea which one I'd go with (if I had to choose). What made this even more complicated, is the salesman placed a pair of Aerial Acoustics Model 5B on the stands...
Crap. I was glad and mad at the same time after listening to these speakers. Immediately apparent: INSTRUMENT SEPARATION!!! Details, clarity, resolution, timbre. All those words started flooding in my head. Truly balanced sound with a beautifully rendered midrange. Absolutely no glare or harshness to the treble (despite being aluminum dome tweeters...implementation!). Bass quantity was nice, but actually sounded muddy (was very surprised by this).
In the end, it made me realize that even a $2000+/pair speaker can have its flaws (granted still being run by a mid-grade integrated in the NAD). So now I have a reference point, however I don't know if I'd ever be able to achieve that kind of midrange/treble bliss at my price point for the genres I enjoy.
I realized, in the end, that I can live with some bass misfortune (as it can be corrected by cables, electronics, placement, room treatment, etc.)...but I really MUST have that type of midrange/treble that can be so well rendered and discernable, while also being able to ROCK.
This search just got a lot more complicated...
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- 40 posts total
- 40 posts total