Downunder...I'm sorry if my enjoying expensive gear meltdowns apparently has upset you. Had I known there were those out there who's emotional investment in Beloved Audio Brands has rendered them so highly sensitive to my expressed enjoyment of review issues with elite gear, I might have been more gentle with my posts (although most likely not). D'Agostino and Ortophon should be proud to know they have little friends out there who will rise to defend brands that otherwise would suffer the cruel injustice of mirthful forum posting.
Fremer's review of the Anna cartridge
Fremer reviews the $8499 cartridge very positively, but it takes three different samples of the cartridge for him to get there. The first sample exhibited "an incompatibility between the adhesives used and the elastomer of which the cartridge's damper is made." Fremer notes "[e]vidently, however, this problem didn't affect every Anna that left the factory." Wow, what a relief. In the second sample, apparently "some the glue that secures the stylus in the cantilever had dripped." The third sample, after 100 hrs of break-in finally delivered. Fremer suggests buying and using an USB microscope as part of the cartridge buying process.
Does anyone else think this is absolutely nuts? It seems to me, at this price level, every single cartridge should be absolutely perfect. Haven't Ortofon heard of quality control? This also applies to Lyra whose $9500 Atlas cartridge had the stylus affixed to the cantilever at an angle that made it virtually impossible to get the SRA of 92 degrees.
Does anyone else think this is absolutely nuts? It seems to me, at this price level, every single cartridge should be absolutely perfect. Haven't Ortofon heard of quality control? This also applies to Lyra whose $9500 Atlas cartridge had the stylus affixed to the cantilever at an angle that made it virtually impossible to get the SRA of 92 degrees.
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- 123 posts total
- 123 posts total