How to reproduce sound of piano

I actually have a 1962 Steinway concert grand in the living room of the house I live in. (It's a small house, but with a large (30 x 25) living room with high ceilings (15 feet), and the piano fits quite nicely with lots of empty space around it,) I'm not much of a piano player, but I do love the sound of a really fine piano.

If you were to hear what a piano like this actually sounds like in a living room, I don't think anyone here would be claiming that his system quite reproduces that sound.

Well, if you frame the question that way, I don't know any system that really meets the exact reporduction standard. You can go to any high-end stereo store or audio show and listen to many different very high-end systems and no two will sound the same. Does any particular one exhibit exact reproduction of the live instrument? Does many of them do a good job? I would say no the former and yes to the latter question. Of course since the original poster is pretty much focused on just one insturment he stands a better chance of getting a system optimized for that criterion. Across the board of all insturments and vocals, I don't belive it's possible.

Hello, Shadorne said a while back in this thread,"Let
me say you need a very clean waterfall plot."

What exactly do you mean by that? Also why do you want this? What does it mean ? And how do you get this? How do you identify this?

Bob

Wireless200,
" I would say no the former and yes to the latter question. "
I completely agree. (:

Jax2, You've brought two points up, which mirror my experience:
I've pondered extensively as well as listened two various SET and horn combinations and came to similar conclusions as you did. I didn't try the biggest aCapellas though. I couldn't and wouldn't afford them, quite apart from their size.

Also I've found that OTLs pleased my ears most with really big orchestral music doing big dynamic swings without losing important detail, so I settled for the 200watt Atmas, which however proved a tad weak on the chest together with my Sound Labs on that very DG recording of Argerich's playing Liszt which I had mentioned above. I would have loved to have bought Ralph's biggest offering in amplification, which however would have busted my budget, so I settled for second choice, the Siegfrieds, which I could buy used here on A. I could have avoided the Sound Labs of course, but I've gotten so used to the sound of stators and to build systems around them for practically the last 50 years that can't help to find most cone speakers either colored or slow or lacking in homogeneity. Question of hearing-habit I suppose. I know this is neither factual nor "objective", but I listen to my ears. (;

"If you were to hear what a piano like this actually sounds like in a living room, I don't think anyone here would be claiming that his system quite reproduces that sound."

You are correct. I own a German Steinway model M. . . and piano from my system can sound quite different. . . often 'better'. On the other hand, I already stated that a music reproduction system does not replicate reality. . . rather it creates a -- hopefully congruent -- hyper-reality.