Why the Blues Really Hit The Spot

That, Grimace, is something we CAN resist and reject! I am not saying that the corporate media is another plantation system (much), but I am saying that we can be vocal and annoying about what we will and will not support. Will it change the world? No. Will it create an underground shift in taste? Maybe. What else can we do?

its my nature to compare new blues artists to my personal favorites, who were considered'students' of the masters in the 1960's. paul butterfield, mike bloomfield, and many others tried like hell to move the music forward...a mixture of new and old, but as with lots of jazz, its become an area where there are countless musicans and composers of average talent making records that do indeed just play by the numbers. as a friend of mine said...'there are just way too many piano trios today'. still dig the blues bars in NOLA though....

"R.I.P. the blues. 1924-1965"

That's a joke right? I had no idea the Blues died three years before I was born. It seems to be alive right now in my living room listening to KWS 10 Days Out and it sure was alive a couple weeks ago when I saw Buddy Guy and Robert Cray.

I find the newer artists I really enjoy to be fewer and fewer as the years go by. I can respect loving old blues as I do also, but disrespecting all the artists since '65 that have continued to try to promote and keep it alive is sad.

Without the "White Boys" like Butterfield, Bloomfield, Page, Clapton, Allman, Green, SRV, Earl, Ford, Lee etc. myself and so many others would have never discovered and truly fell in love with everything about the Blues. It sounds like even though you love the Blues there is still a hole in your soul.

Buddy Guy and Robert Cray, like some others you mentioned, are masters of the form. I would never dispute that. However there is a difference between mastering a form and creating and innovating new developments. Those guys are rehashing the glory of the past. Even though they produce new variations, which involve creativity for sure, it is not real authentic adaptation. In the 20's the idiom was continually changing out of a need to express new things. Same with the electric ensemble stuff of the 50's. The need came first and artists filled that need with work that either did the job or failed to do so. I think Buddy Guy's Chess work is remarkable, but now he coasts off of his mastery to accolades that are often uncritical.

As for the white bluesmen you mentioned, I think their innovation was to take those delta roots and bring them into contexts that were amazingly diverse. They were musically aware of Stockhausen, Schoenberg, Cage the Beatles, LSD, and world literature. Page, for example, was highly educated and literate. You can't compare him with a dirt farmer who could not read or write. It is a totally different music for a totally different context, and it was fantastic. Blues-rock is great for what it is, as is country blues and chicago blues, etc. Everything has its place.

Some things never change. You can always count on the Blues Police to show up at a discussion like this. To say that no good blues have been played since 1965 is just plain wrong.