Guitar player? , What model do you own or play?

'67 Gibson Firebird III (cherry metallic, double-cut unbound solidbody, non-reverse, 2 P-90's, tremolo)
'64 Gretsch Chet Atkins Nashville (orange, double-cut, bound thin hollowbody, horseshoe headstock inlay, Bigsby, 2 Filter-Trons)
'65 Epiphone Wilshire (cherry, double-cut unbound solidbody, bound fingerboard w/large oval inlays, 6-in line batwing headstock, 2 mini-humbuckers, tremolo)
'66 Fender Electric XII (12-string, sunburst, double-cut unbound solidbody, 2 split single-coils)
'69 Rickenbacker 360 (6-string, semi-hollow, redburst, 2 chrome-bar single-coils, "R" tailpiece, bound back/rounded front, "stereo", slash soundhole)
'65 Guild Starfire III (cherry, bound hollowbody, single-cut, 2 humbuckers, F-holes, Bigsby)
'64 Silvertone/Danelectro (black sparkle, unbound semi-hollow, 2 lipstick tube single-coils, amp in case)
'71 Microfrets Golden Comet (brown, unbound semi-hollow, 2 single-coils, tremolo, 1 F-hole)
'65 Harmony Rocket (brownburst, bound hollowbody, single-cut, 2 DeArmond single-coils, Bigsby, F-holes)
'67 Vox bass (cherry, bound thin hollowbody, double-cut, 2 single-coils, 4-in line teardrop headstock, F-holes)

'64 Fender Super Reverb (blackface, 4 - 10" Oxfords)
'62 Ampeg Reverb-O-Rocket (blue sparkle, 1 - 12" Jensen)
'63 Fender Reverb unit (blonde)

Plus some miscellaneous other funky old guitars, lap steel, little tube amps. Only acoustic right now is a 70's Yamaha dreadnought, but want to get something better/more interesting again, plus a half-decent classical. I'm mostly a hollowbody/combo-amp kinda guy, but used to own a Marshall 50-watt master-volume half-stack, Ampeg SVT, and various other solidbody guitars and basses. What I'm not is a Strat/Tele/Les Paul kinda guy -- I like 'em weirder and lighter weight, with a vintage rock'n'roll, rather than "rock", sound and look.

Oh yeah, here's a few "ones that got away" which I dearly wish I still had:
'39 Martin 0-18 (mahogany/spruce, 3/4 "concert" bodystyle)
'58 Gibson Les Paul Jr. (cherry, double-cut, 1 P-90)
'60's Ampeg Porta-Flex B15 (flip-top, lighted plexi)

'52 Reissue Black-guard Telecaster built 'specially for me the week of my 50th B-day (I'm so romantic).
Wish I'd had this ax when I was a tot and had the time to use it (well, I've got the time but my 50+ lazy ass won't do it. Maybe if I were back in the band...).
Really, this dude sounds swell and is a dream to play.

Owned and loved: Martin D-28, Guild 12 string (used as a 6 string), Las Paul studio w/ebony neck (WHY didn't I buy that new Jimmy Page LP for $2500 when I had the chance!), couple of Strats -regular and deluxe.

Borrowed and loved: Rickenbacker 4001 Super Bass (oh Mama!).

Played: Gibson EB-0 bass (damn thing ruined my shoulder...).

Aspire to own: Parker Fly Deluxe. This baby is such a blast to play! Vibrates like an acoustic but is a solid body electric. Contrast this to a Les Paul which feels like you're playing a brick.

I'VE GOT BLISTERS ON MY FINGERS!!!!

Guild F-212, circa 1969.

Paul Reed Smith Custom 24, Fender 52 Reissue Telecaster, Martin HD28V.

Gibson Explorer Reissue from the early 70's, American Standard Fender Strat, 1978 Fender 12 string acoustic, Fender classical acoustic. Fender quad tube amp, Marshal practice amp, full PA system with an 8 channel Roland ADAT. Also a 7 pc. Pearl export drum kit. I have been goofing around with a Reason 2.0 virtual recording studio, the older version but it's quite incredible.
FUN FUN FUN!!!!!