Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
*****Rok, that article was silly. For a closing argument you will have to do better.******

I beg to disagree.

****Just let your music make your case. A little Sonny, A little Hawk,.. More will agree with you that way, and we can enjoy being told were wrong.;)******

A little Sonny never hurt anyone. Totally agree.

Cheers
BTW, I just posted Sonny with MJQ. Ignored as usual. I just try to keep the Good Lord and Job in mind. I know I'm being tested.

Cheers

When there is controversy on this thread, I consider it my duty to express my honest emotions and thoughts in regard to the matter. I'll try to go back to the beginning and take on case by case.

Rok, no one said Wynton could not play; he could be considered the best trumpeteer on the planet, as long as it's someone else's music and not his own.

I could live without Ben Paterson, Miguel Zenon on the other hand was very impressive.

Salvant and Marsalis don't even belong in the same sentence; while Salvant uses old material, her treatment of it makes the old material new beyond belief.

In conclusion, it's not "new jazz", or "new musicians"; after considering Alex's post on the Dimitris Kalantzis Quartet, from Greece... it's new jazz and musicians from the good old U. S. of A.; they're too "stereotypical".

If someone practiced, worked hard and got a degree in music, that would qualify them to earn a good living and play excellently, but not to necessarily be a "jazz musician".

Enjoy the music.
Rok, I can always use some Sonny. It was ignored so badly, it has disappeared??????