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Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
rok2id's avatar
rok2id
7,859 posts
 
I warned you people. You can't say I didn't warn you!! I said, "if we keep going on like we're going, we will sooner or later, piss off Chazro":. Now, look what you have done! There will be hell to pay for this!!

Acman3: You didn't miss much. The clip we discussed had Hitler on Piano, Himmler on Bass and Goering on drums. They played 'OstFront Blues'.

But I did learn something from the diatribe. Three more Jazz types to add to my list.
1. European Jazz
2. Modern Jazz
3. Nazi Jazz

I think European-Jazz and Nazi-Jazz, are one and the same.

Cheers
frogman
7,478 posts
 
Well, while I have not been innocent myself, I think that infrequent comments on a thread (out of context) should be kept a impersonal as possible. Having said that, there is truth to what Chazro says; there IS a misunderstanding about modern jazz. I and others have, one way or another, tried to point this out. That is the reason that the most productive and interesting approach to discussion should be more from the standpoint that I tried to outline a few posts earlier: more from an attempt to uplift the standard of awareness of what makes good music and good musicianship, and less from the "if it feels good, it must be good" mentality; and, PLEASE, before the barbs start flying, notice I said LESS of, not devoid of. As Schubert correctly pointed out (and to paraphrase), excellence is reached through a marriage of emotion and intellect.

Chazro, if you're still out there, I would like it if you would stick around and contribute. I do feel that this thread could use more diverse input to make it less of what is, at times, mostly the type of discussion that is no more than a conversation between two people. I mentioned previously that it seemed to me the thread was at a milestone of sorts; I hope I am not mistaken.
acman3
4,275 posts
 
http://www.youtube.com/watch?v=oGFex6YNjyA

http://www.youtube.com/watch?v=LJOVUCEcsLg
acman3
4,275 posts
 
http://www.youtube.com/watch?v=mXMgEZYeI5M
acman3
4,275 posts
 
Let your cross help you get across

http://www.youtube.com/watch?v=TFOnCk0p4-8
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