Why is the industry so lame?


I'm a 40+ audiophile who just can't understand why the industry is so tied to the past. Countless audio manufacturers will eventually go the way of the buggy makers if this continues. Consider:

In 1998 the Diamond Rio was introduced and Diamond was sued by the RIAA.
In 2001, the Ipod was introduced and it held 1000 songs.
In January 2003 Flac was introduced.
In 2003, Sonos was founded.
In November 2003 the Squeezebox was introduced.
In April 2004 Apple introduced its own lossless codec.
In 2005, Apple sold over 20MM Ipods for the first time.
In December 2007, Apple sells its 125 Millionth Ipod.

As we head into 2008, this is where the industry finds itself:

A growing number of mfrs now have proprietary Ipod docks to enhance their revenues to the tune of $100-300.

Krell now has a dock dubbed the KID that includes a preamp for about $1300. Matching power amp TBD.

The vast majority of preamplifiers have no DAC or DAC option.

Bryston and Naim have integrated DAC's into one of their integrated amplifiers (Bryston's is an option).

Only Outlaw has a 2 channel receiver with built-in DAC.

Rather than seeing the emerging new technology as something to be embraced the entire industry seems to regard it as something to ridicule. Sure, not everyone wants a DAC in their amp but how many are buying $2500 CD transports these days or even $1000 phono cartridges.

When will the industry wake up and smell the coffee?
wdrazek
Ckrody: Isn't the Benchmark 1 derived from or in fact a piece of pro gear?

My CDP is gone now too... sniff sniff.
Mrtennis, following your logic that "technical progression=sonic degradation," does my great grandfathers old Victrola blow away today's systems? Does my 1972 Ford Pinto better my Honda Civic? etc. etc.
Wdrazek,

I've owned an Ipod for four years now so I'm not arguing for/against a product I'm unfamiliar with. I copy my CD's to my iPod in WAV format to avoid the audible problems evident with compression, but the iPod still isn't all that great sounding. Like you I'm 46 years old; I also work in semiconductors so the technology thing isn't a foreign concept either.

There are many that will argue digital is finally as good as analogue, no one will argue it's better (for what it's worth a decent analogue rig still stomps any digital source I've ever heard). And when I say digital source material I'm referring to store bought music in uncompressed format, not the "lossless" or "lossy" compression techniques that are used by Apple and others.

My reference point is my analogue front end, followed by several quality CDP's (feel free to browse my virtual systems), iPod doesn't even come close to even my kid's systems for sound quality.

You feel that high-end companion products ought to be offered up by the likes of ARC, BAT, CJ, etc.. The fact is you can't fix problems downstream: Garbage in, garbage out. Why create "music-first" products when the source is compromised from the get-go?

So.... some value ease of use, others will go the extra step because quality matters to them. Audiophiles are passionate about their music and as such, we forego convenience.
what happened to analogue ? lps are timeless. why all the fuss about digital formats ? there is enough hardware and software out there , even it is not ipod friendly.
T_Bone: You raise good points about the economics. I do think that there is a move towards integration for a lot of consumers. Witness the rise of the integrated amplifier in the past few years. Everybody, including ARC, Krell, CJ, Rowland, VTL and so on now have one or more. A few mfrs are even offering 2 channel receivers again (Krell did a few years back, Music Hall is in, Outlaw is in). Putting an appropriate DAC on a $1000-2500 integrated would add a few hundred to several hundred dollars at retail.

Next, consider the 125MM Ipods out there. I'll bet more audiophiles have one than a turntable. Those Ipods are connected to computers that can stream the files all over the house. Not in one room, but many. There is revenue to be had there. How many audiophiles have only one system and how many more would like a 'decent' background system in other rooms?

Ghanson: You're right that some just prefer a different medium whether it is perceived sound quality, familiarity or whatever. But with all due respect, I think the 125MM Ipods is probably a lot higher a number than the number of turntables in current use. Even among 'audiophiles.'