Strange Klipsch thing


I stopped by a local shop this afternoon because the guy had recently set up a two channel room. At the moment he's carrying Cary amps - which I use at home - and Klipsch speakers. He had an SLI-80 integrated run through the big Klipschorn speakers placed in the corners. What I heard was an enormously wide soundstage with exceptional image height, BUT, the whole thing sounded like it was being projected onto a perfectly flat wall. Not so much as a shred of stage depth. Is this fairly common with Klipsch speakers? It really seemed like an odd effect. Not my cup of tea at all.
grimace
"Dan_ed; Reflected sound. So what you guys are saying is that depth is a coloration.

I think I am to some extent. Maybe the better word is presentation rather than coloration. To be honest about it, any rear firing driver is there to create (not re-create) a sense of added space. I like this effect but I know it's a derived sound.
Wow! Unsound, we seem to have found a patch of muddy, swampy, common ground. NO PUSHING! ;-)

Bravo, Russ69!

Coloration is NOT a four letter word and every system adds it to some degree or the other. Embrace the coloration your speakers and room create. This is exactly what draws each of us to the choices we make. ALL rooms and speakers contribute to colorations.

That said, I think if folks are always hearing depth from their speakers on every recording that would be a clue to me something isn't right according to MY preferences. But it could be fine for someone else.
No depth is a illusion. It doesn't exist its a trick of the senses like stereo.
"No depth is a illusion. It doesn't exist its a trick of the senses like stereo. "

All of audio playback is an illusion and a reproduction but not "real".

Soundstage depth is no different than any other aspect of good sound. It can exist in the real world and in hifi playback under the right conditions. The rig owner has the power to determine which aspects of the illusion to focus on and enjoy or not with his rig. How the recording is made is a limitation just as it is in all the rest.

I can make a valid argument I think that if the 3-D spatial cues are present in teh recording and they are not reproduced in a 3-D manner accordingly then that is a coloration or type of distortion. This particular kind of "distortion" is inherent in headphone listening for example where an accurate 3-D presentation of spatial cues is not typically part of the game.
Would be a sin of omission not a coloration or distortion. Rooms interact with radiation patterns and can interfere with the illusion of depth. Horns tend to have controlled radiation patterns this can cause image to be more in front of loudspeakers but with less room interaction a dipole e stat etc would have a figure 8 radiation pattern which provides more depth but with more interaction with room. Neither is better than the other but one may have a personal preference. Its not distortion or coloration its just the way different designs control radiation patterns. And there interaction with listening spaces. I have built dipole horns works very well.