Rushton I played the Wall by coincidence around 7 o'clock tonight and WYWH also
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Congratulations, Dlwask! The night should turn out well for listening. Around here, we're gravitating towards a chamber music evening, but "The Wall," "Who's Next" and "Night at the Opera" all stand beckoning in the wings. If the recently acquired copy of "Ummagumma" were cleaned, I know where I'd be heading. Hmmm..., maybe a short cleaning session is in order! Nope, significant other is headed to bed early so chamber music it will be. Coming up: Malcolm Arnold's "Fantasies" for various instruments, Hyperion series of LPs (great stuff; often lots of fun) Alwyn, String Quartets, Qt of London, Chandos ABRD 1063 (nice performance! but a digital LP with that nasty digital edge on the strings) Crumb, Sonata for Cello, Helmerson -vc, BIS LP65 Hindemith, Sonata for Cello, Helmerson -vc, BIS LP65 (Frans Helmerson is a marvelous cellist who is vastly underappreciated in the U.S. His recordings for BIS in the late '70s are uniformly superb: LP-5, 25, 26, 28, 35, 64. His recordings with BIS continue to date. www.cellist.nl/database/showcellist.asp?id=67) ...{"What? You're a classical music lover and you don't collect BIS recordings?!? ...For shame! You're missing some marvelous recordings.} Bach, Suites for solo cello, Mercury Speakers Corner reissue (just one or two at a time) Villa-Lobos, Various Pieces for Guitar, Mats Bergstrom -gui, Proprius PROP 9521 (one of those ocassional digital recordings that sound superb! two mikes and a DAT recorder, 1989.) That should make for a satisfying evening! . |
Hello Rushton,Yes the M.O.FI./Rounder recording of So Long So Wrong is really something to behold...Perhaps you can weigh in on this,and any one eles...I was blissfully ignorant on what was achieved with monolithic recordings...What a huge mistake.My mono L.P.collection needs to grow for me to purchase a mono cartridge,so I can experience these jems at their very best...Disregarding mono recordings because they are mono...You truly are missing out... |
Varese: "Offrandes/Octandre/Integrales/Ecuatorial," Contemporary Chamber Ensemble, Arthur Weisberg (cond), Nonesuch 71269. (Another great recording from the Aubort/Nickrenz team. If you enjoy 20th century music with more "avant-garde" flair and you haven't explored the music of Edgar Varese, don't miss this LP as an opportunity! Also, don't overlook the many other outstanding LPs from the Nonesuch Contempary Music series of recordings. The soprano on the "Offrandes" is the superb Jan DeGaetani: anything she has recorded is well worth exploring, but her remarkable work with contemporay music is particularly compelling.) "Ella Fitzgerald Sings the Cole Porter Songbook," Verve MGV 4001/2, Speakers Corner reissue. Great work by Speakers Corner once again. Sonny Rollins: "Saxophone Colossus," Prestige P-7079 Analogue Productions reissue. . |
I got a recommendation yesterday from the owner of Diamond Groove... I was in his store picking up an order,we were talking music...Chad pulled out an album of Alison Krauss and Union Station ,So Long So Wrong and asked me if I have heard this...I knew of the group, I have not listened to them...The release is a two L.P.set from Mo.Fi.2-276 180g,Chad looked me dead in eye and said... you have to check this out...Number one...I really enjoy their music ,what a great band!...The recording...My GOD...I hope Mo.Fi.continue this [surpreme] quality.In the past they were hit and mis...more mis then hit...Check it out... |
1: Warren Zevon Asylum 7E-1060 2: Yes, Close to the Edge Atlantic SD-19133 3: Elton John, Captain Fantastic MCA 2142 MCA (734) 4: Joni Mitchell, Hejira Asylum 7E-1087 5: Stan Getz, Focus Verve VE-1-25-28 6: Eddie Harris, Electrifying EH 4MWB 4M106 7: Kingston Trio Capitol T-996 8: Frank Zappa, Apostrophe Discreet DSK-2289 9: Pink Floyd, WYWH (HSM) Columbia HBL-43453 |
Ray, glad you like Home Again; the a capella "Pretty Saro" cut is a particular favorite of mine on this LP. When I first heard this LP, I'd recently watched the film "Songcatcher" (a fictionalized account of the real work of collecting traditional songs in Appalachia in the early 1900's) which included a rendition of this song. When I heard Doc Watson sing Pretty Saro, his rendition really grabbed me. . |
Shostakovich, String Quartet No. 1, Talich Qt, Supraphon Shostakovich, Pf Quintet, Talich Qt, Supraphon Respighi, Ancient Airs & Dances, Suites 1-3, Marriner/LAChmO, EMI ... Delightful performances above! Dylan - Blonde on Blonde (I could become convinced this was his best album, if it weren't for the fact that I like so many others!) Ray, I see you got the Doc Watson. What do you think? . |
Tonight, Beethoven "String Quartet, Op.131" Bernstein/Vienna Philharmonic (DG 2531 077) Surprising recording. Not your basic DG "house sound", but an airy, stirring reading of this melancholy work. Bill Evans "New Jazz Conceptions" (Riverside RLP-223) Santana "Caravanserai" (Columbia KC 31610) Al Stewart "Year Of The Cat" (Janus JXS-7022) |
Ali Akbar Khan (serod) and Sri Swapan Chaudhuri (tabla) on "Maihar" - a marvelous recording by Kavi Alexander, Water Lily Acoustics 10 Earlier this evening: Joan Baez, "In Concert" Vanguard VRS 9112 Cannonball Adderley, "Somethin' Else" Blue Note 1595 (Classic Records reissue) Miles Davis, "Kind of Blue" (Classic Records reissue) |
Playing now: Varese: Ameriques; Milhaud: L'homme et son desir; Honegger: Pacific 231, Abravanel/UtahSO, Vanguard SRV 274 Classic Records reissue - WOW! Planned for later: Pentangle: "Cruel Sister", Reprise 6430 Na Cabarfeidh: "stick it in your ear" - highland pipes, whistles, drums, guitars - these guys can play! Pentangle: "Basket of Light" Sonny Rollins: "Way Out West" (45 rpm reissue from Analogue Production's Fantasy series). And, as it is now getting later in the evening (and no one else has posted so I can still edit this post), the significant other has gone to bed so music with a lot of bass energy is no longer an option. So let's move to "music-with-no-bass": Renaissance music for viola da gamba, lute and voice: "Songs of a Travelling Apprentice" Cohen/CambridgeConsort, Titanic TI 19. (If you enjoy early music, the recordings on the Titanic label are very worthwhile picking up whenever you see them. Nice performances that are well recorded.) As an aside, here was another example of what a difference a good record cleaning fluid can make to the sound of an LP. I'd cleaned this LP originally (some years back when first purchased) with a home brew alchohol-based solution and VPI RCM. I hadn't played this LP for several years, and listening tonight, I was bothered by some sibilance I just couldn't eliminate (VTA adjustment, add a touch of dampening, nothing worked). So, since I'd never cleaned this "clean" record with Disc Doctor, back it went for a quick clean using my recently adopted Disc Doctor regimen. BINGO: no more sibilance. . |
Beta testing Paul Frumkin's 2 stage LP cleaning solutions, so I am going through a variety of older LPs, cleaning them and listening Vivaldi "Four Seasons" von Karajan/Berlin PO (DG 2530 296) Tangerine Dream "Rubycon" (Virgin International VI 2025) Art Pepper "Meets the Rhythm Section" (Contemporary S75532) |
Tonight: comparative listening to 33 rpm vs. 45 rpm versions of some of Classic Records' RCA reissues. So far, there is no contest sonically (did anyone suspect otherwise?). But, my question in doing this was: "Did the mastering of the 45 rpm versions avoid the hard brittle top end plaguing some of the early 33 rpm issues sufficiently to make it worth the gamble of buying a few more of the 45s to replace other disappointing early release 33s?" So far, the answer is "YES" for the following LPs (listening to selected tracks on each): "Clair de Lune" RCA LSC-2326 - the sound of strings on the 33 rpm is brittle in the upper frequencies to the point I don't find it enjoyable to listen to (at least on my system). The 45 rpm does not have this problem: the string tone is smooth and extended. Definitely not polite and rolled off like many of the originals (so don't come here looking for that original "Shaded Dog" sound; this is more like what I expect to hear in an excellent "contemporary" recording. The 45 rpm also has all the other virtues we've come to expect of this media. "Gonoud: Faust/Bizet: Carmen Suite" LSC-2449 - The 33 rpm version of this is much better, and much more listenable, than I recalled. The top end has some of that brittleness and hard edge to it, but not nearly so much as some others. Just every now and then the massed strings jump out and BITE. Still..., the 45 rpm version is simply soooo muuucch better in so many respects. "Belioz: Symphony Fantastique" LSC-1900 - MUCH improved string tone on the 45 rpm version. The 33 rpm is not as bad as I recalled, as with LSC-2449; but the 45 rpm is a very distinct improvement in every respect. (And still my favorite performance with a modern orchestra is the Freccia/RPO reissued on Chesky CR 1. (If you can find it and have a choice, get the 180 gram, not the lighter weight first pressing run). Conclusion? For me I will go ahead with some additional 45 rpm Classic Record purchases (such as the Sibelius/Finlandia LSC-2336 which sounds so sad on the 33 rpm version and is such a GREAT performance and recording, and such as the Reiner/Spain LSC- 2230), but cautiously. . |
So far Beethoven "Symphony No. 6" Philharmonia/Klemperer (Angel S 35711) Miles Davis "Kind of Blue" (Columbia CS 8163) Classic Records 200g reissue Jennifer Warnes "Famous Blue Raincoat" (Cypress/A&M 0100) Bill Evans Trio "New Jazz Conceptions" (Riverside 12-223) This version of the trio had Teddy Kotick doing the bass duties |
Ella Fiztgerald Sings the Duke Ellington Songbook, Verve - the lady is incredible! Even through the surface noise of these 50 year old records, I just get lost in her incredible singing. And a supporting cast that includes Ben Webster, Coleman Hawkins, Johnny Hodges, Clark Terry, Dizzy Gillespie, Oscar Petersen, Ray Brown, and more is nothing to sneeze at. [I'd love to hear the Speakers Corner reissue for even better sound quality: I just can't quite justify the price for the 4LP set. :-( ] Doc & Merle Watson's Guitar Album, Flying Fish FF301 Joan Baez, Volume 2, Vanguard VRS 9094 - just a wonderful vocalist and her guitar, mono. . |
Ray: Thanks! For those interested, I just checked to see if American IV is still available on vinyl, and it is: http://www.redtrumpet.com/software/item.php?item=17745&sid=1170596972 |
hello Rushton,american IV :the man comes around,,,2002 american recordings,LLC,man. and marketing by Lost highway records,rick rubin,there is also a box set of his last recordings,but ive only seen it on redbook cd,hopefully theyll release it on lp also,if not i will buy the cds,most of it is prev.unrealesed i believe,powerful stuff!! |