"It's only been in the last few years, since the same Peter Aczel made his infamous audio myths, that a new breed of audiophile has emerged on the horizon."
Lacee - I think the thing is that we've always been around, the proof of that is probably the fact that it takes measurement and science geeks to build this stereo stuff in the first place, but the game has gotten so far out of hand that it causes more people to speak up.
For example:
$4000.00 cables and $80 fuses both coincidentally made wonderful by the magic of dark metallurgy and direction arrows and cryo treatment, acceptance that the only way to test something near the limits of perception is to throw out the instruments and scientifically proven methods and then let your imagination run free for two or three weeks, acceptance that wonderful and expensive things work in the world of audio but magically fail to work when applied to the rest of the world of electronics, etc..
That kind of stuff does inspire you to make sure that at least the new folks know that a lot of the stuff in audio is just plain nuts. If folks like you who have been around a good while want to hang with "listen with the ears and don't worry about the psychology" that is certainly your privilege, and it is fun, but if you do something that is scientifically nuts then it seems reasonable that people will point this out now and again. If I walked around with a pan on my head to block my thoughts from aliens, I'd expect this to inspire some conversation.
Lacee - I think the thing is that we've always been around, the proof of that is probably the fact that it takes measurement and science geeks to build this stereo stuff in the first place, but the game has gotten so far out of hand that it causes more people to speak up.
For example:
$4000.00 cables and $80 fuses both coincidentally made wonderful by the magic of dark metallurgy and direction arrows and cryo treatment, acceptance that the only way to test something near the limits of perception is to throw out the instruments and scientifically proven methods and then let your imagination run free for two or three weeks, acceptance that wonderful and expensive things work in the world of audio but magically fail to work when applied to the rest of the world of electronics, etc..
That kind of stuff does inspire you to make sure that at least the new folks know that a lot of the stuff in audio is just plain nuts. If folks like you who have been around a good while want to hang with "listen with the ears and don't worry about the psychology" that is certainly your privilege, and it is fun, but if you do something that is scientifically nuts then it seems reasonable that people will point this out now and again. If I walked around with a pan on my head to block my thoughts from aliens, I'd expect this to inspire some conversation.