To build on what Timlub says about musicians preferring different strings, etc.
I know a luthier who flies around the world to choose all his own sustainable wood stock. He looks closely at different internal bracing for different sounds and player preferences. He might choose Honduran Mahogany or Cedar for a neck. Brazilian Rosewood is his preference for bridges. Saddles, soundboards, fingerboards all the more complex. Some of his finest guitars sell for 30k. So many details and such artistry.
Have to say I'm leaning more toward 40% when I really think about it. We are all blessed with the ability to even experiment with audio and I'm happy to have the ability to squabble about it.
I know a luthier who flies around the world to choose all his own sustainable wood stock. He looks closely at different internal bracing for different sounds and player preferences. He might choose Honduran Mahogany or Cedar for a neck. Brazilian Rosewood is his preference for bridges. Saddles, soundboards, fingerboards all the more complex. Some of his finest guitars sell for 30k. So many details and such artistry.
Have to say I'm leaning more toward 40% when I really think about it. We are all blessed with the ability to even experiment with audio and I'm happy to have the ability to squabble about it.