Klyne pre-amps, any experience out there?


I have seen and heard good things about some of the Klyne pre-amps but I don't know where to audition them. Are they worth it?

Any advice?
128x128nrchy
I have spent nearly two years with the Klyne 7LX3.5b and I have to say that this is really a great product. I find it to be much more musical, less analytical than the Krells that I owned prior to the Klyne.

The Klyne has less of the solid state edge that certain people typically associate with non tube gear. It might be the right product for someone who is interested in more of a tube sound with less of the negetive things associated with tubes.

The focus seems to be more on the music and less on the details that make up the music, if that makes any sense. I just thought I'd upgrade this for the sake of anyone thinking about the Klyne product.
Just to balance things out, I had one for a while and didn't care much for it. And Mr. Klyne never responded to any of my emails.
I am still kicking myself for not buying the Klyne SK2A head amp when it was easily available; it was amazing what it did with vinyl. A few years ago I located one though Audiogon, and settled on a price, but the slimeball who was supposed to sell it to me reneged on the deal when he was offered more money.
I have a Klyne 7 LX/P 5.0 and like it very much. But i would like to compare it with very good tube preamps with phono stages. What do these units offer beyond a latest big Klyne? What does a Shindo, Audio Note, etc have, that a Klyne cannot show?
I have 2 Klyne SK5a, and SK5AL, and a Sonic Frontier Line 2 SE+ modded by PCX, I just had the SK5A repaired and upgraded by Dr Klyne, and had just plugged into the system a day ago. The Klynes with mods or without have the tranparency, pace, separation, and staging of a Solid State with touches of warm and sweetness in their presentation, but with a different flavour compare to tubes. It all depends on the individual taste. I enjoyed both the Klynes and the SF gears.