Ben Campbell I'm not going to argue with you, at least I don't think I'm going to argue...
Listening to music is the ultimate goal of all music lovers and audiophiles. We all want it to sound good, or if possible better. Lots of people have said that with SACD the margin of improvement is not great enough to justify the expenditure. My response is that redbook CD in 1985 was a poor format. It has been improved upon by nearly everyone who makes any gear at all. SACD was much better sounding than redbook. If people could improve redbook that much in the last twenty years, you know they can do the same with SACD. Many companies already have. Classe, Reimyo (sp), and Meitner have made some very good units. This technology, if not left for dead would trickle down where Joe Sixpack could afford it soon enough.
My Sony SCD 777es sounds very good in SACD, but it is nowhere near SOTA anymore. The state-of-the-art has left it behind. BUT it's all dollars and sense. If audiophiles won't spend their dollars, it doesn't make sense for Sony/Classe/Meitner to invest in much better sound and formats or playback units.
I have the Dylan set, nearly all of them, and there are none of them that suck. They might not be as good as the best recordings available, but I bought them to support better formats and because I'm a Dylan psycho! I love his stuff!
What will happen when some designer puts together something truly amazing (format wise) but they never build it because they don't think buyers will go for it based on the failure of SACD? What is Sony's motivation to develop better sounding musical formats? What we have today is not the pinnacle of what the human mind can conceive. I want something better, if that means following the red herring of SACD, I'm not sorry I spent the money...