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Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
rok2id's avatar
rok2id
7,859 posts
 
Frogman et al.

I listened to the Buddy DeFranco youtube. It was what I expected. Good stuff. Buddy is a big time player. No surprises.

The Frank Viguola youtube was very interesting. As I listened to it, I was impressed with his skill on guitar. But, I felt something was missing. I thought it needed a different instrumentation. A rhythm section and horns?? A guitar and clarinet just didn't seem enough to do that type music justice. I thought to myself that this is happy music, up there, or down there,If you ask O-10, with Sweet Georgia Brown.

As it happened, my eyes wander over to the right side of the screen and there was a clip of Viguola playing Sweet Georgia Brown with the Wynton Marsalis quiintet. I played it.

If you ever want a demostration of my argument, these two youtubes are it!! Great musicians on both tapes. Music of the same degree of difficulty. DAY & NIGHT in overall effect!! Check it out!

http://www.youtube.com/watch?v=ELXtZmFpvPk

Cheers

O-10: I didn't get what music you were speaking of: The Three Sounds or the Lee Morgan set? The one you will buy if the sound is good.
frogman
7,472 posts
 
Rok, we all have different tastes; that is stating the obvious. Having said that, I couldn't disagree with you more concerning your comparison of the Peplowski and Marsalis cuts. Like I said, we all have different tastes and I am not about to try to change your mind, but will explain why I think the Peplowski cut, as a representation of that style of jazz, is infinitely superior.

You missed the whole point of my choice. First of all it was tied to featuring the clarinet along with the Buddy DeFranco cut.You are correct, there is something missing in the Peplowski cut: clutter. That is precisely the point. The way that guitar and clarinet only can generate that much drive and swing WITHOUT drums and bass and other horns is the point. Call it chamber jazz, if you will. Lastly and most importantly, in the Marsalis cut, while Vignola excels again, the other soloists are not on the same level as Peplowski. O'connor's solo is stiff, Marsalis is his usual impressive but "not quite right" brand of swing; and Blanding, while delivering the best solo (besides Vignola) is, like Marsalis, simply not idiomatic and not entirely convincing, with deviations into inappropriate and much more contemporary musical vocabulary. IMO.

Regards.
rok2id's avatar
rok2id
7,859 posts
 
Frogman:

I think this exchange is very important, at least to me it is. I now have a 'concrete example' to play over and over again. And your reasoning to read over and over again. I think after this, I will understand your concept of Jazz.

I will listen to 'Tiger Rag' many times, and try and hear what you hear. And also listen for the 'clutter' in Sweet Georgia Brown.

Thanks for the post.

Cheers
orpheus10 OP
8,668 posts
 
Rok, "The Three Sounds". Chico Hamiltons West Coast CD's were lacking in the sonic department, they weren't as good as the "You tube's". That's why I asked.
frogman
7,472 posts
 
Rok, thank you for the reasoned response. To be clear, I am not saying that the Marsalis cut is not jazz, how could I? Only that in the context of that particular idiom and what should be appropriate vocabulary for a tune in that style, I think the Peplowski is more convincing. For instance, all is pretty good until the drums, and later, trumpet and sax come in. The feel is appropriate and "bouncy" (why so many of the tunes from that era had the word "Bounce" in the title); then, when the drums come in, things jump forward a couple of decades (an eternity in the evolution of jazz) with decidedly much more modern swing feel. The horn soloists, likewise, can't resist not staying strictly "inside" the harmony and jump even further ahead with their use of extended harmony (outside the traditional harmony). An over-analysis to be sure, and I am not saying that it is bad at all, or that it is not appropriate to play any tune in any style (Coltrane's "My Favorite Things" !!!), only that the ingredients in that recipe, for me, don't come together as well as in the other one.
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