The other night I had assumed an expensive power cord was going to be an improvement, so I hooked it up without listening to it and before everyone arrived for the music session.
About an hour into the music I ask one of my group members if he thought things were "off."
He agreed, and I put in the less expensive cord and the system improved drastically.
I have no problem with that, it saves me money every time that happens. I admit I had a prejudice for the premium cord that had proven itself dozens of times in other situations.
Conclusion? I still use the premium cord everywhere it works and NOT where it did not work. The score is two pieces of (newly acquired) gear that did not respond well to the "high priced" version and nine places where the "high priced" cord was the clear winner.
As I stated early on in this thread. You use what you think will work and then test (long term listening) to see what the facts are.
If this test had been done "blind" I could have easily reversed the brands, based on my past experience.
Does this prove ABX is a superior way to determine what brand to use? No, it only proves humans are influenced by what we learn and if your an adult about it, you admit when testing goes against preconceived notions and go with what WORKS.
In addition, many cords do not respond well to short term listening. Some brands change tonal balance simply by plugging and unplugging them from the equipment, this not even taking into effect what powering off does to solid state and tube gear for the first few minutes.
I hesitate to bring that point up, because someone will now argue that the cord does not change if moved and that there is no effect in powering on and off various pieces of gear.
Again, reason to listen long term, if for no other reason than to remove the possibility of those variables.
About an hour into the music I ask one of my group members if he thought things were "off."
He agreed, and I put in the less expensive cord and the system improved drastically.
I have no problem with that, it saves me money every time that happens. I admit I had a prejudice for the premium cord that had proven itself dozens of times in other situations.
Conclusion? I still use the premium cord everywhere it works and NOT where it did not work. The score is two pieces of (newly acquired) gear that did not respond well to the "high priced" version and nine places where the "high priced" cord was the clear winner.
As I stated early on in this thread. You use what you think will work and then test (long term listening) to see what the facts are.
If this test had been done "blind" I could have easily reversed the brands, based on my past experience.
Does this prove ABX is a superior way to determine what brand to use? No, it only proves humans are influenced by what we learn and if your an adult about it, you admit when testing goes against preconceived notions and go with what WORKS.
In addition, many cords do not respond well to short term listening. Some brands change tonal balance simply by plugging and unplugging them from the equipment, this not even taking into effect what powering off does to solid state and tube gear for the first few minutes.
I hesitate to bring that point up, because someone will now argue that the cord does not change if moved and that there is no effect in powering on and off various pieces of gear.
Again, reason to listen long term, if for no other reason than to remove the possibility of those variables.